tag:blogger.com,1999:blog-57729563287968152442024-02-20T01:47:46.910+00:00Temple Of Doom Metalarrasta-te, lúgubre; a desolação invade-teTemple of Doom Metalhttp://www.blogger.com/profile/15837231920208982617noreply@blogger.comBlogger191125tag:blogger.com,1999:blog-5772956328796815244.post-452835271833802302014-03-19T22:00:00.000+00:002014-03-19T22:00:14.852+00:00Ostium apertum...<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEim7yQ_2N-zit9rh4xIGvW_V0D2Kz4288b_yY_ShxC8rp_ZADB-SOnHf_S6QrXu63FRZQmiSmex2_N7OEavLylnhIjIstLiYUu8gDFjNTaqlhMJREGA0r0JSp9FYL6ASc5Hjn_FnTFkUGw/s1600/Imagem_03.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEim7yQ_2N-zit9rh4xIGvW_V0D2Kz4288b_yY_ShxC8rp_ZADB-SOnHf_S6QrXu63FRZQmiSmex2_N7OEavLylnhIjIstLiYUu8gDFjNTaqlhMJREGA0r0JSp9FYL6ASc5Hjn_FnTFkUGw/s1600/Imagem_03.jpg" height="240" width="320" /></a></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">Os portões estiveram cerrados. O silêncio foi voto. Uma clausura necessária, embora não poucas vezes indesejada... momentos de maior indefinição, outros de nítida clarividência; meses a fio, a marinar uma decisão: encerrar definitivamente os portões ou reabri-los para um novo fôlego. Não foi necessário fumo branco, nem encíclica ou bula para estarmos aqui, hoje, a anunciar continuidade. Um <i>continuum</i> calmo e paulatino, tal como a regra assim exige.</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">Voltamos às lides; antigas rúbricas, algumas novidades, mas acima de tudo, dar voz às negras melodias que desde 2009 povoam este espaço. </span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><i>De veris rerum... ostium apertum.</i></span></div>
<br />Anonymoushttp://www.blogger.com/profile/17530029150740222799noreply@blogger.com0tag:blogger.com,1999:blog-5772956328796815244.post-37483717258828175232013-03-15T17:24:00.001+00:002013-03-15T17:24:35.143+00:00Contempty - Gaping Deception In Guiltless Eyes<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiatjI9nLtSupWDH10k15WdP-u-16lggXUtdrx5RRBZlIKNP88aigMwMWtJGPuz6LPcQgjI91U3RRuM882fg2jyfECcRT9AKqtjs_BU2N-Xp2rvpJXNuOLM7cBw54X7kG9EW3pOKKhBPNs/s1600/Contempty.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiatjI9nLtSupWDH10k15WdP-u-16lggXUtdrx5RRBZlIKNP88aigMwMWtJGPuz6LPcQgjI91U3RRuM882fg2jyfECcRT9AKqtjs_BU2N-Xp2rvpJXNuOLM7cBw54X7kG9EW3pOKKhBPNs/s200/Contempty.jpg" width="200" /></a></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">De Minas Gerais, Brasil, chegam-nos os debutantes Contempty com o seu EP 'Gaping Deception In Guiltless Eyes'. Ao longo dos três temas que compõem este registo, verificamos que a banda explora os terrenos do death e doom metal, ora lembrando os Asphyx em 'The Harpist' ou uns Saturnus nas passagens mais lentas e atmosféricas.</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">Apesar de não serem portadores de uma sonoridade original, entregam-se com afinco ao longo destes 17 minutos onde podemos encontrar bons momentos a par de outros que ainda necessitam de maior evolução. Para trabalho de estreia, está bem acima da média, o que poderá ser um bom sinal. Assim o esperamos.</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">Link: <a href="http://contempty.bandcamp.com/">http://contempty.bandcamp.com/</a></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"> <a href="https://www.facebook.com/Contempty?fref=ts%3B">https://www.facebook.com/Contempty?fref=ts%3B</a></span></div>
Anonymoushttp://www.blogger.com/profile/17530029150740222799noreply@blogger.com0tag:blogger.com,1999:blog-5772956328796815244.post-29017451714005910882013-02-15T20:09:00.000+00:002013-02-15T20:11:38.166+00:00Entrevista: Pombagira e o novo álbum 'Maleficia Lamiah'<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKIYLeRams71jAJTeMs7Nr8TFH6su-R5BFlnWRv92M6FZU68wP4w9wzzlp7Ny-RDt6Q8fl6Y23Ss3Z2A_gT98wrECWV9UkuXPAB1mfFegJVmUVm_dEuYPLhO1_BghNbWP4OyXuWxSXzzM/s1600/pombagira_logo.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="111" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKIYLeRams71jAJTeMs7Nr8TFH6su-R5BFlnWRv92M6FZU68wP4w9wzzlp7Ny-RDt6Q8fl6Y23Ss3Z2A_gT98wrECWV9UkuXPAB1mfFegJVmUVm_dEuYPLhO1_BghNbWP4OyXuWxSXzzM/s400/pombagira_logo.jpg" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhaBT-_v3clA4UxYRVvZQ-E_piJQBwAAR2OutnR_NSnVLhKoLghuyH661mMYWeVh9C99xQvsIDMCaAOzTYz2Oy2cyrO-dyuWrDH-ikbvuUwW4AKpdjU4lxjirtCLzgx1bBCotUafSex4Y/s1600/photo01.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhaBT-_v3clA4UxYRVvZQ-E_piJQBwAAR2OutnR_NSnVLhKoLghuyH661mMYWeVh9C99xQvsIDMCaAOzTYz2Oy2cyrO-dyuWrDH-ikbvuUwW4AKpdjU4lxjirtCLzgx1bBCotUafSex4Y/s400/photo01.jpg" width="400" /> </a></div>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">Oriundos de Londres, os Pombagira chegam a 2013 com um novo álbum que marcará, certamente, o caminho que têm vindo a calcorrear desde 2006. Apostados em marcar a diferença no seio dum estilo com algumas limitações como é o Stoner/Doom Metal e com uma nova abordagem à sua sonoridade, estivemos à conversa com Pete Giles, uma das forças criativas da banda. </span></span></div>
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<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b><i>TODM</i>- O início de 2013 vê
chegar um novo álbum. Qual o sentimento relativo a este trabalho e quais as
expectativas da banda?</b></span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">As nossas espectativas são altas relativamente
à forma como o álbum tem sido aceite. Somos os primeiros a admitir que não vai
ser fácil ouvi-lo devido a ser um álbum longo, com hipnotizantes movimentos
psicadélicos, vibrantes que catapultam a mente para lugares que a maior parte
da música moderna/actual é incapaz de o fazer.</span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">Em suma e resumindo, a nossa
aspiração com este álbum é ir para além dos limites celestes, com a introdução
deste novo conceito, de expansão musical, onde outros ainda não conseguiram
chegar.</span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b><i>TODM</i> - Desde 2008, altura em
que surgiu 'Crooked Path', os Pombagira não pararam, mantendo um bom ritmo de
lançamento de discos. Onde se inspiram para manterem este ritmo criativo?</b></span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">O propósito da nossa criatividade
é continuarmos conectados com outros seres ligados pela mesma opinião/gosto
musical, de uma forma física e ao nível metafísico também. ‘Maleficia Lamiah’
marca, definitivamente, o longo período entre lançamentos. Mas precisávamos de
tempo, de meditar, para aperfeiçoar o caminho a percorrer futuramente, fazendo
um esforço conjunto para não repetir o que já tínhamos feito anteriormente.</span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b><i>TODM</i> - 'Maleficia Limiah' é
um pouco diferente do que tem sido hábito na vossa música. Esta opção foi
pensada, delineada ou encaram este como o passo natural que queriam dar?</b></span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">Sim, é absolutamente intencional.
Crescemos a ouvir isto e estamos cansados de ouvir sempre os mesmos riffs
tocados por milhentas bandas de Doom, ou
bandas que tentam recuperar o passado, sem fazerem a menor ideia de como
conseguir fazê-lo. Havia também uma infinidade de bandas de Drone que,
confinadas ao seu minimalismo, recusaram-se a olhar para além do seu espaço.
Temos de perceber o ‘Iconoclast Dream’ e libertarmo-nos, procurando recuperar <span class="hps"><span style="line-height: 115%;">momentos</span></span>
<span class="hps"><span style="line-height: 115%;">que marcaram</span></span> <span class="hps"><span style="line-height: 115%;">uma
época em que</span></span> <span class="hps"><span style="line-height: 115%;">ouvíamos</span></span> <span class="hps"><span style="line-height: 115%;">um
álbum de Roy Harper ou dos Hawkind,</span></span> <span class="hps"><span style="line-height: 115%;">fumando
um charro</span></span>, procurando bons momentos para depois apenas voltar
para casa. <span class="hps"><span style="line-height: 115%;">Esses dias</span></span> e<span class="hps"><span style="line-height: 115%;">stão,
naturalmente,</span></span> <span class="hps"><span style="line-height: 115%;">muito longe</span></span>,
tal como a boa erva<span class="hps"><span style="line-height: 115%;">, mas</span></span> <span class="hps"><span style="line-height: 115%;">deixou
uma marca</span></span> <span class="hps"><span style="line-height: 115%;">que eu</span></span> <span class="hps"><span style="line-height: 115%;">pensei
que</span></span> <span class="hps"><span style="line-height: 115%;">tinha perdido.</span></span> ‘<span class="hps"><span style="line-height: 115%;">Maleficia</span></span>
<span class="hps"><span style="line-height: 115%;">Lamiah’</span></span> <span class="hps"><span style="line-height: 115%;">é o
nosso regresso</span></span> <span class="hps"><span style="line-height: 115%;">a esses dias</span></span> <span class="hps"><span style="line-height: 115%;">de
glória</span></span>. <span class="hps"><span style="line-height: 115%;">Consequentemente</span></span>, podemos
dizer, <span class="hps"><span style="line-height: 115%;">que gostamos de</span></span> <span class="hps"><span style="line-height: 115%;">pensar
em nós, tendo como referência de visão moderna bandas como</span></span> <span class="hps"><span style="line-height: 115%;">Amon</span></span>
<span class="hps"><span style="line-height: 115%;">Düül</span></span> <span class="hps"><span style="line-height: 115%;">II e
outras ligadas ao</span></span> <span class="hps"><span style="line-height: 115%;">movimento</span></span> <span class="hps"><span style="line-height: 115%;">Krautrock</span></span>
<span class="hps"><span style="line-height: 115%;">ou, então, Pink Floyd</span></span>. <span class="hps"><span style="line-height: 115%;">Deste
modo,</span></span> <span class="hps"><span style="line-height: 115%;">podes perguntar-nos: “Vocês estão a tentar</span></span> <span class="hps"><span style="line-height: 115%;">copiar/imitar</span></span>
<span class="hps"><span style="line-height: 115%;">essas bandas?”</span></span> “<span class="hps"><span style="line-height: 115%;">É
claro que não!”</span></span>, <span class="hps"><span style="line-height: 115%;">seria a nossa</span></span> <span class="hps"><span style="line-height: 115%;">resposta.</span></span>
<span class="hps"><span style="line-height: 115%;">Essas referências</span></span> <span class="hps"><span style="line-height: 115%;">não
são nada</span></span> <span class="hps"><span style="line-height: 115%;">mais do que pontos</span></span>
<span class="hps"><span style="line-height: 115%;">de ancoragem para</span></span> <span class="hps"><span style="line-height: 115%;">o
público em geral</span></span>, eu não <span class="hps"><span style="line-height: 115%;">acho que o nosso som
seja igual ao de</span></span> <span class="hps"><span style="line-height: 115%;">qualquer uma delas</span></span>,
porque para nós, pelo menos, <span class="hps"><span style="line-height: 115%;">não há</span></span> <span class="hps"><span style="line-height: 115%;">outra
banda como</span></span> <span class="hps"><span style="line-height: 115%;">Pombagira</span></span>. <span class="hps"><span style="line-height: 115%;">E,
no entanto</span></span>, continuam consecutivamente <span class="hps"><span style="line-height: 115%;">a</span></span>
<span class="hps"><span style="line-height: 115%;">atirar-nos</span></span> <span class="hps"><span style="line-height: 115%;">com</span></span>
<span class="hps"><span style="line-height: 115%;">esses rótulos e...</span></span> <span class="hps"><span style="line-height: 115%;">isso
é o que</span></span> <span class="hps"><span style="line-height: 115%;">as pessoas fazem,</span></span> <span class="hps"><span style="line-height: 115%;">tentam
encaixar-te num estilo e está feito .</span></span> <span class="hps"><span style="line-height: 115%;">Bem,
nós não</span></span> <span class="hps"><span style="line-height: 115%;">nos revemos da forma como nos rotulam</span></span>,
estamos <span class="hps"><span style="line-height: 115%;">apenas a ser nós mesmos</span></span> <span class="hps"><span style="line-height: 115%;">e
a música é</span></span> <span class="hps"><span style="line-height: 115%;">uma expressão disso mesmo</span></span>,
“estamo-nos nas tintas” para aqueles que tentam definir, de forma muito
simples, a nossa sonoridade.</span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b><i>TODM</i> - Olhando para os
lançamentos anteriores, conclui-se que houve sempre uma intenção de não se
repetirem. 'Crooked Path' foi um álbum-duplo, 'Baron Citadel' foi muito forte,
com temas «orelhudos»; depois, 'Iconoclast Dream' teve somente um tema de 40
minutos. E, agora, 'Maleficia Lamiah'. Que têm a dizer sobre isto?</b></span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span class="hps"><span style="line-height: 115%;">(risos)
Sempre disseram</span></span> <span class="hps"><span style="line-height: 115%;">exactamente</span></span> <span class="hps"><span style="line-height: 115%;">isso
sobre nós</span></span>, que somos repetitivos, mas também<span class="hps"><span style="line-height: 115%;"> que
somos uns</span></span> <span class="hps"><span style="line-height: 115%;">segundos</span></span> <span class="hps"><span style="line-height: 115%;">Electric
Wizard</span></span> <span class="hps"><span style="line-height: 115%;">ou uns Sleep, mas</span></span> <span class="hps"><span style="line-height: 115%;">não
tão bons</span></span>. <span class="hps"><span style="line-height: 115%;">Nunca</span></span> <span class="hps"><span style="line-height: 115%;">vimos
essa repetição no</span></span> <span class="hps"><span style="line-height: 115%;">que fizemos. Tentamos</span></span>
sempre <span class="hps"><span style="line-height: 115%;">evocar</span></span> <span class="hps"><span style="line-height: 115%;">uma
viagem,</span></span> trilhar <span class="hps"><span style="line-height: 115%;">um caminho</span></span> <span class="hps"><span style="line-height: 115%;">para
as pessoas percorrerem</span></span>, um mundo <span class="hps"><span style="line-height: 115%;">onde
todos estão convidados a perderem-se.</span></span> <span class="hps"><span style="line-height: 115%;">Cinco
anos</span></span> após o primeiro álbum, finalmente, acho que <span class="hps"><span style="line-height: 115%;">as
pessoas começam a entender</span></span>, mas <span class="hps"><span style="line-height: 115%;">não
tenho a certeza.</span></span> <span class="hps"><span style="line-height: 115%;">Eu</span></span> <span class="hps"><span style="line-height: 115%;">ainda</span></span>
<span class="hps"><span style="line-height: 115%;">desespero</span></span> <span class="hps"><span style="line-height: 115%;">quando
vejo bandas actuais, ditas “da moda”, dentro daquilo que nós também fazemos e</span></span>
<span class="hps"><span style="line-height: 115%;">é por isso que</span></span> ‘<span class="hps"><span style="line-height: 115%;">Maleficia</span></span>
<span class="hps"><span style="line-height: 115%;">Lamiah’</span></span> <span class="hps"><span style="line-height: 115%;">é
tão diferente.</span></span> <span class="hps"><span style="line-height: 115%;">As guitarras</span></span>
soam <span class="hps"><span style="line-height: 115%;">diferentes,</span></span> <span class="hps"><span style="line-height: 115%;">mais
barulhentas,</span></span> <span class="hps"><span style="line-height: 115%;">espaçadas</span></span>,
reverberando <span class="hps"><span style="line-height: 115%;">com um tom</span></span> <span class="hps"><span style="line-height: 115%;">que
nunca</span></span> <span class="hps"><span style="line-height: 115%;">tínhamos conseguido</span></span> <span class="hps"><span style="line-height: 115%;">antes.</span></span>
<span class="hps"><span style="line-height: 115%;">Para nós</span></span>, pelo menos, <span class="hps"><span style="line-height: 115%;">este
é um passo</span></span> <span class="hps"><span style="line-height: 115%;">absoluto</span></span> <span class="hps"><span style="line-height: 115%;">acima
de</span></span> <span class="hps"><span style="line-height: 115%;">todos os esforços</span></span> <span class="hps"><span style="line-height: 115%;">anteriores.</span></span></span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b><i>TODM</i> - Quais as principais
influências, digamos, para a construção deste álbum?</b></span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">O princípio subjacente na
construção das músicas foi baseado, todo ele, em volta do querer formar um
ambiente de uma viagem ou um caminho a percorrer. Isto é baseado simplesmente
na retrospecção porque até termos completado os temas todos, não temos ainda
uma ideia clara de como as músicas se vão alinhar e interligar umas com as
outras. Como nós costumamos dizer muitas vezes, acreditamos que as músicas têm
a sua vida própria e o que nós fazemos é evocar esse espírito, fora do processo
criativo. Penso que é um convite para habitar num turbilhão abrasador, na
profundidade, no abismo das nossas composições. Estas são as nossas influências
fazer sobressair ao máximo o melhor de cada composição sem nos restringirmos
pelo tempo ou ao espaço.</span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b><i>TODM</i> – Nota-se, igualmente,
um espaço cada vez maior para a «experimentação», com novos e ambientes e
texturas principalmente nos lançamentos mais recentes. É uma aposta para o
futuro e uma forma de alargarem horizontes, fugindo ao rótulo Stoner/Doom a que
estavam a ficar confinados?</b></span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">Eu realmente espero que a música
experimental tenha cada vez mais o seu espaço. O principal problema, o
calcanhar de Aquiles de géneros musicais como o Doom ou o Stoner é que são
incrivelmente limitados. Qualquer indicação de diversidade foi perdida quando
as bandas resolveram seguir esta ou aquela direcção, a afinação mais grave foi
absorvida pelo Stoner ou a tentativa de chegar ao som dos Black Sabbath ou
outras bandas importantes do género, de há muito tempo atrás.</span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">Não estou muito convencido que
haja por aí alguma experimentação, daquela onde a banda realmente tenta puxar o
barco para fora do seu porto de abrigo. Infelizmente para nós é tudo tão
obsoleto, repetido, sem imaginação, com regurgitações lineares que, portanto,
não têm verdadeira expressão.</span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">Para onde foi a surpresa ou a
notabilidade da música? Com algumas excepções, o processo criativo e expressivo
parece ter-se afogado. Quando foi a última vez que ouviste algo em que
disseste, “Nunca ouvi nada como isto antes?” Para mim isso já foi há muito
tempo e tenho a certeza que para ti também!</span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<br />
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><b><i>TODM</i> - Planos para o futuro? Promoção do álbum? Concertos, digressões?</b><br />Os nossos planos são fazer uma tour novamente pela Europa lá para o outono, por isso esperamos visitar muitos países europeus no final de setembro e outubro de 2013. Para já não temos nada marcado nem planeado aqui no Reino Unido ou em outro lugar. Levamos connosco um grande backline que produz entre 110 - 125 decibéis e consequentemente temos dificuldade em encontrar espaços adequados para tocarmos ao vivo. Em todo o cas estamos sempre abertos a propostas…</span></span></div>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: 11pt; line-height: 115%;"><br /></span></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
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<b><i><span lang="EN-GB">TODM</span></i></b><b><span lang="EN-GB">- The beginning of 2013 starts with a new album. What is the feeling looking
to this album and what are your expectations?</span></b></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-GB">Our expectations are high on how
this album is received. We are the first to admit that it isn’t going to be the
easiest to listen to it because the length and mesmerising swinging psychedelic
vibe catapults the mind to places that most modern music is incapable of doing.
In short, our aspiration for this album is to reach to the very limit of the
sky and beyond, by introducing a new form of mind expanding music that others
can really dig.</span></div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<b><i><span lang="EN-GB">TODM</span></i></b><b><span lang="EN-GB"> - Since 2008, when 'Crooked Path' was released, Pombagira never stopped,
keeping a good rhythm of releases. Your inspirations come from where to keep
this creativity so high?</span></b></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-GB">The purpose of our creativity is to
continue to connect with other like-minded spirits out there, whether physical
or metaphysical. ‘Maleficia Lamiah’ has definitely marked the longest period between
releases. But then we needed time, we
needed to meditate on its formation, perfecting the crooked route while making
a concerted effort to not repeat what we had already released. </span></div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<b><i><span lang="EN-GB">TODM</span></i></b><b><span lang="EN-GB"> - 'Maleficia Limiah' is a little different from what you have done in
musical terms. This option was thought, outlined or you face this album as the
natural step that you wanted to give?</span></b></div>
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<span lang="EN-GB">Yes, it was absolutely intentional.
We had grown so tired of hearing the same riffs played by a million so called
doom bands, or bands trying to recapture the past without having any idea on
how to achieve that, then of course there were the plethora of drone bands who
by the very constraint of minimalism refused to look beyond their confined
space. We needed to realise the 'Iconoclast Dream' and break free and head for
the hills to sit in meadows and regain contact with those moments we once held
so dear. Moments that defined a time when we were listening to an album,
smoking a joint, looking for good “red leb” (hash), only to return home, having
scored, to listen to Roy Harper or Hawkwind. Those days are of course long gone
as is the good hash but it left an imprint that I thought we had lost. ‘Maleficia
Lamiah’ is our return to those heady days. Consequently we may say, for reference
purposes that we like to think of ourselves as having a modern take on bands like
Amon Duul II and the Krautrock movement, or Pink Floyd. So you can ask are we
trying to copy these bands? Of course we aren’t, would be our response! These
references are nothing more than anchor points for the general public, I don’t
think we really sound like any of those bands because for us at least there is
no other band like Pombagira. And yet that doesn’t stop people continuing to
throw us in with those genres mentioned above, and hey… that’s what people do,
they try and fit you into an already defined box. Well we don’t fit whatever
anyone says, we’re just being ourselves and the music is an expression of that
as well as being a massive fuck off to
those who would try and define what we do in simple terms.</span></div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-GB"> </span></div>
<div class="MsoNormal" style="text-align: justify;">
<b><i><span lang="EN-GB">TODM</span></i></b><b><span lang="EN-GB"> - Looking at the previous releases, we can conclude that there was
always an intention to avoid repetition. 'Crooked Path' was a double-album,
'Baron Citadel' was very strong, with some catchy tunes and then 'Iconoclast
Dream' was mammoth-song of 40 minutes. And now, 'Maleficia Lamiah'. What do you
have to say about this?</span></b></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-GB">Ahhh you see you say we were trying
to avoid repetition but our critics have always said exactly that about us,
whether it was that we are a second rate Electric Wizard or a Sleep “want to be”
band but never being as good. For us we never saw the repetition that others
saw in what we did. We have always tried to evoke a journey, a trail for people
to walk, a world into which all are invited to lose themselves. Maybe five
years down the line finally people are starting to get it, but I’m not sure. I
still despair when I see what the current “in” bands are within the scenes we
mingle with and that’s why ‘Maleficia Lamiah’ is so different. The guitars
sound different, noisier, spaced out, reverberating with a tone we have never
captured before. For us at least this is an absolute step up from all previous
efforts. </span></div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<b><i><span lang="EN-GB">TODM</span></i></b><b><span lang="EN-GB"> - What are the main influences for the construction of this album?</span></b></div>
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<span lang="EN-GB">The principle construction of the
songs has been based around wanting to form an environment wherein a journey or
trail can take place. But even this is based on retrospect because we never
have a clear idea on how the songs are going to come together until we have
completed them. As we often said before we believe the songs have a life of
their own, and what we do is try to evoke that spirit out of the creative
process. I suppose it is an invitation to indwell amongst the swirling and
searing heights and depths of our compositions. So in the end those are our influences to
bring out the most in every composition without being confined by time or
space. </span></div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<b><i><span lang="EN-GB">TODM</span></i></b><b><span lang="EN-GB"> – There is, also, a growing space for 'experimentation' with new atmospheres
and textures, especially in newer releases. It is a bet for the future and a
way to broaden horizons, keep an open mind, fleeing the label Stoner / Doom that
you were to be confined?</span></b></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-GB">I really hope the signs of
experimentation are really taking place. The main problem, the Achilles heel,
to Doom or Stoner music is that it is so incredibly limited. Any indication of
diversity has really been lost as bands head in one of two directions, the down
tuned deep south rock as encapsulated by Stoner or wanting to sound like Black
Sabbath or a host of other key players from a time long gone. So I am not
really convinced there is any experimentation out there, not where the band
really try and push the boat out from its safe moorings. Unfortunately for us
it is all so stale, rehashed, unimaginative linear regurgitations which
therefore lack true expression. Where has the surprise gone or the
remarkability of music? With few exceptions the creative expressive process
seems dead in the water. When was the last time you heard something where you
said I have never heard anything like this before? For me it’s been a long time as I am sure it
has for you!</span></div>
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<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: small;"><b><i><span lang="EN-GB">TODM</span></i></b><b><span lang="EN-GB"> - Plans for the near future? Promotion of the album? Concerts, tours?</span></b></span></div>
<span style="font-size: small;"><span style="font-size: small;">
</span><span lang="EN-GB" style="line-height: 115%;">We
have plans to come and tour Europe again in the autumn, so expect Pombagira to
be hitting a lot of European countries at the end of Sept early Oct 2013.
Currently we have no concerts planned here in the UK or elsewhere. But we do
come with a large backline that produces 110 to 125 decibels and consequently
we find it difficult to locate suitable venues for us. Saying that we are
always open to offers…</span></span> <br />
<span style="font-family: "Calibri","sans-serif"; font-size: 11.0pt; line-height: 115%; mso-ansi-language: PT; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"><span lang="EN-GB" style="font-family: "Calibri","sans-serif"; font-size: 11.0pt; line-height: 115%; mso-ansi-language: EN-GB; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;"> </span> </span>Anonymoushttp://www.blogger.com/profile/17530029150740222799noreply@blogger.com0tag:blogger.com,1999:blog-5772956328796815244.post-90767363832212873012013-02-03T19:06:00.000+00:002013-02-03T19:06:26.993+00:00Ab Reo Dicere: Aut Mori + My Indifference To Silence + Astral Sleep<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlWGo3OMBl7MqwCSUtuA5pBf3u7Ei2kt_u0Ei9NcdMuQ8CHyYnguqNjoVo9GIzFLFrCLi6inEezQzFWNcN7m3x88ZzWPHLJIPEZo6FLznxmreKovOsDZ6SKcOdVp_tZeWewF5498PDhdg/s1600/bmm055.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlWGo3OMBl7MqwCSUtuA5pBf3u7Ei2kt_u0Ei9NcdMuQ8CHyYnguqNjoVo9GIzFLFrCLi6inEezQzFWNcN7m3x88ZzWPHLJIPEZo6FLznxmreKovOsDZ6SKcOdVp_tZeWewF5498PDhdg/s200/bmm055.jpg" width="200" /></a></div>
<div style="text-align: center;">
<span style="font-family: Arial,Helvetica,sans-serif;"><b>Aut Mori - Pervaja Sleza Oseni</b></span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;"><br /></span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">Em 2009, os Auto-de-Fé viram uma boa parte dos seus elementos em debandada e a darem origem a projectos como estes Aut Mori ou reforçando os Sea of Despair. Se estes têm já uma série de lançamentos, aqueles apresentam-se às hordes com este álbum moldado em oito segmentos onde reinam o doom e o gótico, naquela (e)terna dualidade bela vs monstro, onde as guitarras soam chorosas e as teclas marcam os temas com as suas texturas e ambientes. Pois bem, está visto que o ouvinte não irá encontrar, aqui, grandes, ou mesmo nenhumas, novidades. Este, foi um filão largamente explorado desde há alguns anos e já teve o seu devido <i>hype</i>, já consagrou algumas bandas (e, também, algumas carinhas larocas), tem os seus álbuns de referência e, no entretanto porque isto é mesmo assim, começou a entrar na sua curva descendente. Portanto, estes russos entram neste barco já na fase em que o velame está já muito poído pela acção dos ventos, a mastreação range demasiado e o casco já conheceu melhores dias. Isto não quer dizer que estamos perante um mau trabalho; muito pelo contrário. Temas coesos, com uma matriz definidora do princípio ao fim quanto à abordagem musical pretendida, sem grandes divagações e perdas de tempo desnecessárias, criando um todo bastante homogéneo, ao qual Jerry Torstensson, dono do banquinho da bateria dos Draconian e Olof Göthlin que também participou no último álbum da banda sueca, não serão alheios. No entanto, a segunda metade deste <i>opus</i> torna-se um pouco monótona - onde a excepção é mesmo 'Jelegija Bezmjatezhnosti', uma das melhores malhas de todo o álbum a par de 'Nebo' -, perdendo um bocado a capacidade de captar a nossa total atenção.</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">'Pervaja Sleza Oseni', ou melhor 'First Tear of Autumn', não irá trazer nada de novo ao movimento gothic/doom, mas mostra-se um registo sólido ao qual faltam dois ou três momentos que nos deixem de queixo caído e permitam ao colectivo ganhar o seu espaço e reconhecimento. Os ventos poderão mudar, mas isso também passa pelos Aut Mori. (11.8/20)</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;"><br /></span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;"><b>Tracklist:</b></span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">01. Pervaja Sleza Oseni</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">02. Moja Pesnja – Tishina</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">03. Nebo</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">04. Prowaj</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">05. Moj Vechnyj Dozhd’</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">06. Zhdi</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">07. Jelegija Bezmjatezhnosti</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">08. Na Scene Osen’</span></div>
<br />
<iframe allowfullscreen="" frameborder="0" height="315" src="http://www.youtube.com/embed/8lTd6j58hBM" width="560"></iframe><br />
<br />
<span style="font-family: Arial,Helvetica,sans-serif;">Link: <a href="https://www.facebook.com/autmoriband">https://www.facebook.com/autmoriband</a></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"> <a href="http://solitude-prod.com/">http://solitude-prod.com/</a> </span><br />
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<span style="font-family: Arial,Helvetica,sans-serif;"><b>My Indifference To Silence - Horizon Of My Heaven</b></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">O que é que têm em comum On The Edge Of The NetherRealm e os My Indifference To Silence? Vladimir Andreev. Ou melhor, são duas abordagens musicais de Vladimir Andreev. Simplificando: On The Edge Of The NetherRealm é agora My Indifference Oo Silence. Mas tudo continua como antes, uma <i>one man band</i>.</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">E sim, há substanciais diferenças entre os dois. Se num havia lugar para a melancolia com os seus pianos que depois desembocavam em paredes de som fortes e vozes limpas cohabitavam com esparsos guturais, no outro entramos em terrenos mais agrestes, mais frios e obscuros. Larga-se a toada de pendor atmosférico e abraça-se o doom/death de tendências um pouco mais funéreas, à boa moda do que temos vindo a acompanhar nos sons que nos chegam da Rússia e países fronteiriços.</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">'Horizon of My Heaven' despe-se daquela aura mais emocional que se encontra em 'Different Realms' e resulta num álbum mais directo e mais unidimensional, ou seja, é sempre breu do princípio ao fim - embora ali pelo meio em 'Around You' e 'Your Easy Death' a coisa se torne um pouco mais ligeira, em abono da verdade.</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">'Decline of Your Consciousness' abre-nos as portas para a escuridão e aquele <i>intermezzo</i> acústico, chamemos-lhe assim, deixa-nos respirar após o forte embate antes de nos atirarmos de cabeça para o que falta desta malha inicial e prepara-nos para os 50 minutos restantes. Aqui, não há espaço para vozes doces, à excepção de breves trechos ao estilo <i>spoken word</i>, e a maior pecha vai mesmo para a falta dos temas respirarem e crescerem um pouco mais, podendo conferir uma maior dimensão a estes temas, uma boa amostra de como se pode criar bom doom/death sem estar sempre a olhar para a cartilha do costume.</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">Sem ser sublime e longe da perfeição, 'Horizon of My Heaven' cumpre, inapelavelmente, apresentando um leque de temas que não soam iguais entre si, com variações melódicas interessantes, mantendo a fasquia sempre num nível alto, tornando este álbum num momento bem agradável. (15/20)</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><b>Tracklist:</b></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">01. Decline Of Your Consciousness</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">02. For You</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">03. Scream Of Despair</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">04. Around You</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">05. Your Easy Death</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">06. Horizon Of My Heaven</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">07. Falling Stars</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">08. I Lost Myself</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">09. We’re All On The Other Side</span></div>
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<iframe allowtransparency="true" frameborder="0" height="100" src="http://bandcamp.com/EmbeddedPlayer/v=2/track=139683668/size=venti/bgcol=FFFFFF/linkcol=4285BB/" style="display: block; height: 100px; position: relative; width: 400px;" width="400"><a href="http://myindifferencetosilence.bandcamp.com/track/decline-of-your-consciousness">Decline Of Your Consciousness by My Indifference To Silence</a></iframe><br />
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<span style="font-family: Arial,Helvetica,sans-serif;">Link: <a href="http://myindifferencetosilence.bandcamp.com/">http://myindifferencetosilence.bandcamp.com/</a></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"> <a href="http://solitude-prod.com/">http://solitude-prod.com/</a> </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCSEGIUmj26_Q91iYZtViNhR22j5A0epP5vxNSkMLMmHJkNCINfb_SkpWK4V2g1KbU2Fp-BtR0yPi9TQGLm3OKUiTBWJnVKFRmcgW7nBl_tgv3mftSn4aTNXYzZyqO_Ohx4foYBqRfnW0/s1600/sp066.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCSEGIUmj26_Q91iYZtViNhR22j5A0epP5vxNSkMLMmHJkNCINfb_SkpWK4V2g1KbU2Fp-BtR0yPi9TQGLm3OKUiTBWJnVKFRmcgW7nBl_tgv3mftSn4aTNXYzZyqO_Ohx4foYBqRfnW0/s200/sp066.jpg" width="200" /></a></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><b>Astral Sleep - Visions</b></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">A parada está alta? Após dois EPs e um álbum que pouco mais roçaram do que a mediania, os finlandeses Astral Sleep regressaram em 2012 com um trabalho que, certamente, irá agradar a muita boa gente.</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">'The Towers' abre o disco e contém uma daquelas malhas que nos deixa esmagado. A voz sensaborona do passado dá lugar a um rugido simpático e, de repente, damos por nós a pensar que a dieta deste quarteto passou pelos melhores trabalhos dos Evoken e Mournful Congregation. Apesar de tudo, nota-se que o nível de intensidade vai baixando à medida que caminhamos para 'Channel Sleep'; outros tipos de voz são utilizados, nem sempre resultando com a mesma eficácia, mas o impacto dos primeiros minutos é por demais positivo.</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">'Channel Sleep' podia muito bem fazer parte de 'Unknowing', mas seria uma ilha. Aqui, apesar das diferenças para os restantes temas, encaixa e evidencia que a banda alargou horizontes e evoluiu nos terrenos mais melódicos em que se sente mais confortável. Parece um tema de «altos e baixos», mas está aí espelhada muita da criatividade do quarteto. O único senão vai para o piano inicial, desconcertante.</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">'Visions' vem na linha musical do tema anterior, mas revela-se o passo menos entusiasmante do álbum, ainda que contenha apontamentos interessantes, mas esparsos.</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">A fechar, '…They All Await Me When I Break The Shackles Of Flesh', tenta fazer a súmula, mas parece perder-se um pouco e, mais uma vez, a utilização de vários registos vocais não abona em favor do tema.</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">Com este segundo álbum, os Astral Sleep dão um salto qualitativo substancial relativamente a tudo o que fizeram no passado. A paleta de influências ainda está bem presente e a tentativa de encaixar muitas ideias num só tema também não resulta sempre bem, faltando ali um crivo que seleccione as ideias que se coadunem a um determinado tema, acabando por criar alguns momentos algo enfadonhos. Contudo, o saldo é bem positivo ao qual não podemos negligenciar uma produção mais efectiva. Bons indícios para trabalhos futuros. (14/20)</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><b>Tracklist:</b></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">01. The Towers</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">02. Channel Sleep</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">03. Visions</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">04. …They All Await Me When I Break The Shackles Of Flesh</span></div>
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<iframe allowtransparency="true" frameborder="0" height="100" src="http://bandcamp.com/EmbeddedPlayer/v=2/track=3901608557/size=venti/bgcol=FFFFFF/linkcol=4285BB/" style="display: block; height: 100px; position: relative; width: 400px;" width="400"><a href="http://astralsleep.bandcamp.com/track/the-towers">The Towers by Astral Sleep</a></iframe><br />
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<span style="font-family: Arial,Helvetica,sans-serif;">Link: <a href="http://astralsleep.bandcamp.com/">http://astralsleep.bandcamp.com/</a></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"> <a href="https://www.facebook.com/astralsleepdoom">https://www.facebook.com/astralsleepdoom</a></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"> <a href="http://solitude-prod.com/">http://solitude-prod.com/</a> </span></div>
Anonymoushttp://www.blogger.com/profile/17530029150740222799noreply@blogger.com0tag:blogger.com,1999:blog-5772956328796815244.post-70087542202017273402013-01-26T15:35:00.003+00:002013-01-26T15:35:51.878+00:00Somnus Aeternus - On the Shores of Oblivion<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0aQH0pY8CcWadJdY57ayhjo7XVX6-YbE5Gs3_E-vk8EuQdEfAZeSfeN7bcKWXRtwHAcYM8rVUh4434o5Ue8BgoQkg7xMnBOskS4-NtZX2z8Dx8ySasiaGRje3LjRbFAoL1zmWGc67K6E/s1600/somnus2012.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0aQH0pY8CcWadJdY57ayhjo7XVX6-YbE5Gs3_E-vk8EuQdEfAZeSfeN7bcKWXRtwHAcYM8rVUh4434o5Ue8BgoQkg7xMnBOskS4-NtZX2z8Dx8ySasiaGRje3LjRbFAoL1zmWGc67K6E/s200/somnus2012.jpg" width="200" /></a></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">Estes Somunus Aeternus chegam da República Checa e 'On the Shores of Oblivion' é o seu primeiro álbum, sucedendo à demo lançada em 2011.</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">Entre os dois trabalhos há um efectivo crescimento da banda do ponto de vista qualitativo, apresentando um conjunto de temas multifacetados mas bastante coesos, capazes de agradar a seguidores das linhas mais melódicas do doom, death e, também, do gótico. Pois é, estamos perante uma fusão de estilos em dez movimentos e sem estar a destacar este ou aquele momento - pronto, está bem, 'The Light at the End of Suffering' é, na nossa opinião, um dos melhores exemplos onde convive toda a amálgama sonora referida de forma bastante harmoniosa - estamos em crer que este registo, que funciona da melhor maneira no seu todo, terá sido um dos melhores neste segmento durante 2012. É claro que as atmosferas e os momentos melancólicos têm uma preponderância maoritária nestas composições, como aliás se pode verificar durante a primeira metade do álbum, mas é a partir de 'A Touch of Insanity' que entrarmos em terrenos mais variados - e bem mais interessantes, diga-se em abono da verdade -, onde se verificam passagens bem mais rápidas, tornando as sucessivas audições momentos bem agradáveis, nada monótonos.</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">'On the Shores of Oblivion' cresce à medida que lhe vamos dispensando tempo e, de mansinho, ganha o seu espaço; se não possui «aqueles temas» ou uma boa mão cheia de malhas que nos deixam de queixo caído, ganhando automaticamente um lugar entre os melhores do ano, assume-se como uma bela revelação antecipando boas novas em futuros lançamentos. Assim o esperamos. (15/20)</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">Tracklist:</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">01. Withering Attachment</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">02. Decrepitus</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">03. Few More Pictures Till Death</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">04. Of the Bond</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">05. The Light at the End of Suffering</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">06. A Touch of Insanity </span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">07. Purgatorium</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">08. The Divine Void</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">09. Everything Else Is A Lie</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">10. Sinthesis</span></div>
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<iframe allowtransparency="true" frameborder="0" height="100" src="http://bandcamp.com/EmbeddedPlayer/v=2/track=2957751133/size=venti/bgcol=FFFFFF/linkcol=4285BB/" style="display: block; height: 100px; position: relative; width: 400px;" width="400"><a href="http://somnusaeternus.bandcamp.com/track/of-the-bond">Of the Bond by Somnus Aeternus</a></iframe><br />
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<span style="font-family: Arial,Helvetica,sans-serif;">Link: <a href="http://somnusaeternus.cz/en/">http://somnusaeternus.cz/en/</a></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"> <a href="http://somnusaeternus.bandcamp.com/">http://somnusaeternus.bandcamp.com/</a></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"> <a href="http://www.youtube.com/SomnusAeternusBand">http://www.youtube.com/SomnusAeternusBand</a></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"> <a href="http://solitude-prod.com/">http://solitude-prod.com/</a> </span></div>
Anonymoushttp://www.blogger.com/profile/17530029150740222799noreply@blogger.com0tag:blogger.com,1999:blog-5772956328796815244.post-62937829218170234072013-01-16T18:00:00.000+00:002013-01-16T18:00:22.748+00:00Ab Reo Dicere: Dea Marica + The Gardnerz + Placid Art<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjYMCui3BLIdS6a8MDc6AXkX2lxzfeGpM5r2MuLAeYmK5gWo4NJEasSCihIll7T8efnr_8gxBjcvJTYc1t6ZNmBoVknPjAsWSWZNMTAkmuSX8ZarzJGbbspsntry_KCmTV3b-wiF-pLzM/s1600/dea2012.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjYMCui3BLIdS6a8MDc6AXkX2lxzfeGpM5r2MuLAeYmK5gWo4NJEasSCihIll7T8efnr_8gxBjcvJTYc1t6ZNmBoVknPjAsWSWZNMTAkmuSX8ZarzJGbbspsntry_KCmTV3b-wiF-pLzM/s200/dea2012.jpg" width="200" /></a></div>
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<span style="font-size: large;"><b><span style="font-family: Arial,Helvetica,sans-serif;">Dea Marica - Ritual of the Banished</span></b></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">Enquanto os Gallow God estiveram um pouco na sombra a preparar o seu primeiro álbum, 'The Veneration Of Serpents', Riccardo Veronese resolveu dar renovada atenção a este seu projecto e em pouco tempo tomou forma o trabalho de estreia que temos entre mãos, 'Ritual of the Banished', uma mão cheia de temas que tanto tem de traditional e epic doom como de doom/death britânico; Solstice e Anathema da fase 'Crestfallen'/'The Silent Enigma' no mesmo caldeirão, </span><span style="font-family: Arial,Helvetica,sans-serif;">portanto. Essa mistura estará melhor representada logo em 'Balefire', com a alternância de voz limpa e gutural a cargo de Roberto Mura - num registo muito competente e diferente do que efectua no Urna - sobre um riff forte e cativante, constituindo um dos melhores momentos deste registo, embora tenhamos de admitir que as linhas mais melódicas e emotivas dominem este trabalho tornando-o ligeiramente desiquilibrado e mais mellow do que o início faria supôr. Apesar disso, 'The Wild Hunt' ou 'The Silence of the Shore' continuam a demonstrar qualidade sem se tornarem aborrecidos ou demasiado iguais entre si.</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">Certamente que não irão faltar as comparações com os Gallow God, mas a julgar por estes cinco temas, podemos dizer que os Dea Marica já iniciaram o seu próprio trilho e rumam a coisas bem interessantes. (13.9/20)</span></div>
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<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">While Gallow
God were a bit in the shadow preparing its first album, 'The Veneration Of
Serpents', Riccardo Veronese decided to give renewed attention to this project
and soon took shape the debut work we have in hands, ‘Ritual of the Banished',
a handful of songs with an approach to traditional and epic doom in one hand
and british doom/death as well; Solstice and Anathema from the middle 90’s, in
the same pot, so. This mix is well represented in 'Balefire', with alternating
clean and guttural voice courtesy of Roberto Mura – with a quite nice work here
but a bit different from the one used on Urn - over a strong and captivating
riff, constituting one of the best moments of the record, although we must
admit that the most melodic and emotive compositions dominate this work making
it slightly wobbly and more mellow than the beginning would suppose.
Nevertheless, 'The Wild Hunt’ or ‘Silence of the Shore' continue to demonstrate
quality without becoming dull or overly equal.</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><span lang="EN-GB" style="line-height: 115%;">Surely, there will
not miss comparisons with Gallow God, but judging by these five themes, we can
say that Dea Marica already started their own path, moving into some
interesting things. (13.9/20)</span></span> </span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;"><br /></span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">Tracklist:</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">01. Balefire</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">02. The Wild Hunt</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">03. Dea Marica</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">04. The Silence of the Shore</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">05. Ritual of the Banished</span></div>
<br />
<iframe allowtransparency="true" frameborder="0" height="100" src="http://bandcamp.com/EmbeddedPlayer/v=2/track=655038017/size=venti/bgcol=FFFFFF/linkcol=4285BB/" style="display: block; height: 100px; position: relative; width: 400px;" width="400"><a href="http://deamarica.bandcamp.com/track/ritual-of-the-banished">Ritual of the Banished by Dea Marica</a></iframe><br />
<br />
<br />
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">Link: <a href="http://www.deamarica.co.uk/index.html">http://www.deamarica.co.uk/index.html</a></span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;"> <a href="http://deamarica.bandcamp.com/">http://deamarica.bandcamp.com/</a></span></div>
<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpOdpGDsQKjf9j603tmlUyXVIpF1xfikoyWzTB1zNfu1GkX2INqGKjI0PXD8Uc6l2cfUpJg-fbE0GRDkD7dg8i4zC9CAMB_iL1Y_rIRgqQFnYW5p_KIG2m0lez5mFHzIYVTVTCn5DPBXI/s1600/gardnerz2012.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpOdpGDsQKjf9j603tmlUyXVIpF1xfikoyWzTB1zNfu1GkX2INqGKjI0PXD8Uc6l2cfUpJg-fbE0GRDkD7dg8i4zC9CAMB_iL1Y_rIRgqQFnYW5p_KIG2m0lez5mFHzIYVTVTCn5DPBXI/s200/gardnerz2012.jpg" width="200" /></a></div>
<div style="text-align: center;">
<span style="font-size: large;"><b><span style="font-family: Arial,Helvetica,sans-serif;">The Gardnerz - It All Fades (EP)</span></b></span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;"><br /></span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">Há uns tempos atrás, quando nos debruçamos sobre 'The System of Nature', referimos que o pano de fundo para a sua sonoridade era o doom/death dos inícios da década de 90. Em 2012, 'It All Fades' continua a fazer jus a essa referência. As coisas pouco ou nada mudaram, o que não quer dizer que tenha existido um decréscimo na qualidade dos temas ou que a banda encontra-se presa a uma fórmula que vai usar até ao limite. Não nos parece, de todo. De facto, em alguns temas, sobressai a costela mais death do colectivo acrescentando-lhe algum groove - ouçam 'Don't Look Back', logo a começar, e tirem as vossas ilações - passando a vestigial os momentos mais doomy. Por outro lado, também temos momentos vincadamente doom mas que surgem intercalados por passagens mais agressivas, não sendo, portanto, de estranhar que nos venham à cabeça uns Novembers Doom ao longo destes quase 36 minutos, mas especialmente em 'A Horrible Disease' ou em 'Erasing Bad Specimen'.</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">E a melancolia que se encontra tão bem espelhada na versão de 'Transilvanian Hunger', aqui num registo feminino tão dócil que quase faz esquecer a frieza e a crueza do original. É, de facto, uma surpresa.</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">'It All Fades' apesar de não trazer grandes diferenças sonoras, igualmente acaba por não ser um passo em falso, dado que com esta meia dúzia de composições acaba por cimentar a sua linha de acção e sabe qual o caminho que quer traçar. (14.3/20)</span></div>
<div style="text-align: justify;">
<br /></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">Some time ago, when we look back on 'The System of
Nature', referring to the musical background, we could define for this sound that
the biggest influence was doom/death of early-90’s. In 2012, 'It All Fades'
continues to live up to that benchmark. Things have changed little or nothing,
which is not to say that there has been a decrease in the quality of the songs
or the band is attached to a formula that will use up untill the limit. Doesn’t
look like that, at all. In fact, in some tracks, we can find some groove added
to the death metal side of the band - listen to 'Do Not Look Back', opening
this EP, and take your conclusions - passing to vestigial the more doomy moments.
On the other hand, we also have parts markedly doom but interspersed with
passages that appear more aggressive and is not therefore surprising that comes
to our head bands like Novembers Doom over these nearly 36 minutes, but especially
in 'A Horrible Disease' or ‘Erasing Bad Specimen '.</span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">And the melancholy that is so well mirrored in the
version of 'Transilvanian Hunger', here with a female voice, so docile that
almost makes you forget the coldness and bleakness of the original. It is,
indeed, surprising.</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><span lang="EN-GB" style="line-height: 115%;">'It All Fades'
despite not bring big sound differences, also turns out to not be a misstep,
since this handful of compositions eventually cement its action line and know
which way they want to trace. (14.3/20)</span></span> </span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;"><br /></span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">Tracklist:</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">01. Don´t Look Back</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">02. A Horrible Disease</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">03. Transilvanian Hunger (Darkthrone Cover)</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">04. It All Fades</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">05. Melatonin</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">06. Erasing Bad Specimen</span></div>
<br />
<iframe allowfullscreen="allowfullscreen" frameborder="0" height="315" src="http://www.youtube.com/embed/dWWWybLbJQM" width="560"></iframe><br />
<br />
<br />
<span style="font-family: Arial,Helvetica,sans-serif;">Link: <a href="http://www.thegardnerz.com/">http://www.thegardnerz.com/</a></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"> <a href="https://www.facebook.com/thegardnerz">https://www.facebook.com/thegardnerz</a></span><br />
<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjX5W0xDxefjdnCOVsrtdduzQ-_dCKQXkvkDc_rjYRq6FYpP9P11nnSbz4x8AutZd-l-f5RFsmxhGbagJXa5oYpMK6T5xRyxfDLXorhkcOd3m8iAO2nlK1HYQtvOZiYXX3uD2r1Vw0B3ME/s1600/placid2012.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjX5W0xDxefjdnCOVsrtdduzQ-_dCKQXkvkDc_rjYRq6FYpP9P11nnSbz4x8AutZd-l-f5RFsmxhGbagJXa5oYpMK6T5xRyxfDLXorhkcOd3m8iAO2nlK1HYQtvOZiYXX3uD2r1Vw0B3ME/s200/placid2012.jpg" width="200" /></a></div>
<div style="text-align: center;">
<span style="font-size: large;"><b><span style="font-family: Arial,Helvetica,sans-serif;">Placid Art - Rainbow Destruction Process</span></b></span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;"><br /></span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">Chegam-nos do Montenegro e resolvem atirar-se às feras com este álbum de estreia, um misto de gothic/dark e uns laivos de doom, tudo encapsulado em ambientes negros e decrépitos. A dupla Sonja Milicevic e Nikola Radovic discorre ao longo de 52 minutos uma colecção de temas que, num primeiro impacto, soaram desgarrados e inócuos, mas com as contínuas audições passamos a encarar este registo como um todo, uma banda-sonora para uma visita a um quarto escuro, onde o suspense paira a cada minuto - o tema título, talvez seja uma boa amostra, com todo aquele ambiente muito dark e creepy. A alternância de vozes femininas com masculinas não é nenhuma novidade e nem sequer foge ao que já tem sido largamente explorado e a sonoridade deste duo não traz, igualmente, nada de refrescante, onde as passagens mais calmas alternam com outras mais a rasgar, digamos ('On The Other Side', por exemplo), tudo envolto em ritmos que pouco diferem entre si, acabando por criar um efeito que não abona muito a favor destas composições. 'Wrath of the Sun' - com excepção daquele início fraco -, será, talvez, o único momento que estará acima de um trabalho que pauta pela mediania e, num ano em que muitos e bons álbuns saíram a terreiro, necessita de mais trabalho para naturais aspirações da banda. (11.4/20)</span></div>
<div style="text-align: justify;">
<br /></div>
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<![endif]--><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span lang="EN-GB" style="line-height: 115%;">Placid Art come from Montenegro and solve throw themselves
to the wolves with this debut album, a mix of gothic/dark and a smattering of
doom, all wrapped in dark and decrepit atmospheres. The duo Sonja Milicevic and
Nikola Radovic disclose over 52 minutes a collection of tracks that, at first
impact, sounded stray and innocuous, but with the continuing auditions come to
see this record as a whole, a soundtrack for a visit to a dark room, where the
suspense hangs on every minute - the title track, perhaps it’s a good sample,
with all that very dark and creepy atmosphere. The alternation of masculine
with feminine voices doesn’t bring anything new to what has already been
extensively explored over the last decade. Generally, the sonority of this duo
does not, also, reveal nothing refreshing, where the quieter passages alternate
with more ripping ones, say (check 'On the Other Side', for example), all
wrapped in rhythms that differ slightly, eventually creating an effect that really
does not testify in benefit of these compositions. 'Wrath of the Sun' – with exception
of that beginning part that caused a thrill and not for the best reasons - is
perhaps the only moment that is above a median work and in a year when many
good albums were released, the successor of ‘Rainbow Destruction Process’ needs
more work for natural aspirations of the band. Despite everything, there are
here some interesting details, some good ideas, but for now, only that. (11.4/20)</span> </span></span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;"><br /></span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">Tracklist:</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">01. The Beginning of the Final Chapter</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">02. In Silence... of the Dark Dawn</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">03. Psycho Path</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">04. Rainbow Destruction Process</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">05. Placid Art</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">06. On the Other Side</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">07. Wrath of the Sun</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">08. Salvation Is Thy Choice</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">09. The Ninth Circle</span></div>
<br />
<iframe allowfullscreen="allowfullscreen" frameborder="0" height="315" src="http://www.youtube.com/embed/MIjk1910Cf8" width="560"></iframe><br />
<br />
<span style="font-family: Arial,Helvetica,sans-serif;">Link: <a href="https://www.reverbnation.com/placidart">https://www.reverbnation.com/placidart</a></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"> <a href="http://www.facebook.com/pages/Placid-Art/136567376402852">http://www.facebook.com/pages/Placid-Art/136567376402852</a></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"> <a href="http://www.youtube.com/user/placidart">http://www.youtube.com/user/placidart</a> </span>Anonymoushttp://www.blogger.com/profile/17530029150740222799noreply@blogger.com0tag:blogger.com,1999:blog-5772956328796815244.post-57115419106349172582012-12-27T11:48:00.000+00:002012-12-27T11:48:08.506+00:00Ab Reo Dicere: Dawnrider + Old Sorcery + Shadowgrave<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvLPLD7rrBXsBmuv_9uDyvg27MDrn3lf4oZDiyEGTOwitw2S0f9njdnpos3BCxjCitKvi63DhW3DfKQ0ZDAy2ENkyvYYeRau6IzRZ3VobuAif2v4gkbaXLjE-nP4OOi7k6xZbDJD33PZE/s1600/dawn2012.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvLPLD7rrBXsBmuv_9uDyvg27MDrn3lf4oZDiyEGTOwitw2S0f9njdnpos3BCxjCitKvi63DhW3DfKQ0ZDAy2ENkyvYYeRau6IzRZ3VobuAif2v4gkbaXLjE-nP4OOi7k6xZbDJD33PZE/s200/dawn2012.jpg" width="200" /></a></div>
<div style="text-align: center;">
<span style="font-family: Arial,Helvetica,sans-serif;"><b>Dawnrider - Doom Over Invicta (Live 19.3.10)</b></span></div>
<div style="text-align: justify;">
</div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">Após o lançamento do muito bem recebido 'Two', os Dawnrider encetaram um conjunto de concertos de promoção a esse registo. Assim, em 'Doom Over Invicta' não é de estranhar uma maioria de temas desse álbum, mas se olharmos para a setlist com maior atenção 'Alpha Chapter' continua a estar bem presente - onde estão algumas das melhores malhas da banda. Esta é, também, a amostra do poder deste quarteto ao vivo, sem make up ou photoshop, demonstrando toda a sua crueza, num momento em que F. J. Dias & Ca. atravessavam um excelente momento de forma.</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">Depois da «conquista» da Invicta, no final, surgem dois «tesourinhos», para quem não teve hipótese de adquirir o split com os War Injun - pronto, ok, 'Walking Blind' já teve reedição posterior, mas um pouco mais polido... -, acabando por compôr um ramalhete já de si bastante atractivo, antes da chegada do novo registo de estúdio. (14/20)</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;"><br /></span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">Tracklist:</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">01. Divinity Revealed</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">02. Redemption</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">03. Evil Deeds</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">04. Queen of the Mountain </span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">05. Keep on Riding</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">06. Irinia</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">07. Drum Solo</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">08. Eagles Flying</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">09. Walking Blind / Poison so Mean</span> </div>
<br />
<iframe allowfullscreen="allowfullscreen" frameborder="0" height="315" src="http://www.youtube.com/embed/ABeJ1uNdDNc" width="420"></iframe><br />
<br />
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">Link: <a href="http://www.myspace.com/dawnriderdoom">http://www.myspace.com/dawnriderdoom</a></span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;"> <a href="http://www.universal-tongue.co.nr/">http://www.universal-tongue.co.nr/</a></span></div>
<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhW3IpETJ0kKIIDbvOHDaj6UeYk2fxXkqUskgaH1NSORhhfSxKd7VMK-gy1PyqJ_tH0OXl29E6vNYPYMsfWOrCvJCFw7NN4rRB04957FKKN0S6lMXQZwipASjfPS_XzP7ycjI1GoC_b4fc/s1600/oldsorcery2012.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhW3IpETJ0kKIIDbvOHDaj6UeYk2fxXkqUskgaH1NSORhhfSxKd7VMK-gy1PyqJ_tH0OXl29E6vNYPYMsfWOrCvJCFw7NN4rRB04957FKKN0S6lMXQZwipASjfPS_XzP7ycjI1GoC_b4fc/s200/oldsorcery2012.jpg" width="130" /></a></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><b>Old Sorcery - Depths Of Perversion (Demo)</b></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">Os portuenses Old Sorcery cospem a sua primeira catarse pela mão da Bubonic Productions. Para os que acompanham os lançamentos desta label, já está tudo dito. Para quem faz tenção de mergulhar neste poço de podredo, negro como breu, prepare-se porque vai entrar num dos espaços mais recônditos do underground português. Os dois temas que compõem esta demo encaixam que nem uma luva no título da mesma, 'Depths Of Perversion'. De facto, a partir do momento em que começa a ribombar nas colunas 'The Fucking Witches Killed Me', parece que fomos atirados para um qualquer cenário doentio, purulento, do qual não temos retorno possível. Aí, somos trucidados por esta experiência sónica que nos deixa a alma um pouco mais negra, mas pouco mais que isso. 'The Fucking...' e 'Another Void Is Needed' são dois exercícios que mais parecem duas jams registadas a horas impróprias e tocadas em avançado estado ébrio, sem grandes regras ou alinhavanços, não resultando daí muito por onde pegar; ou melhor, algo que nos fique para memória futura. Quase que apetece dizer: underground mais underground, não há. (9.5/20)</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">Tracklist:</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">01. The Fucking Witches Killed Me </span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">02. Another Void Is Needed</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">Link: <a href="http://www.endserver.com/bubonic/">http://www.endserver.com/bubonic/</a> </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5RvjtmdGDUQPQbs2dDvmXyys3tTOtRilduFXbD13JGJvDuRmCgcflbfAv6mpqc42XXqkPPYb5sIIPG5Mfw75pcnn0JxfmOqh1w3zickbTy5sxoyNPMhkzUIgDcH-KVIEXATMQhJVvoHI/s1600/shadowgrave2012.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5RvjtmdGDUQPQbs2dDvmXyys3tTOtRilduFXbD13JGJvDuRmCgcflbfAv6mpqc42XXqkPPYb5sIIPG5Mfw75pcnn0JxfmOqh1w3zickbTy5sxoyNPMhkzUIgDcH-KVIEXATMQhJVvoHI/s200/shadowgrave2012.jpg" width="200" /></a></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><b>Shadowgrave - The Aftermath (EP)</b></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">Portugal viu nascer durante o ano que corre mais um projecto que abraça as correntes da amargura e laceração e tem mostrado uma grande actividade, pelo menos a nível discográfico. Os Aftermath chegam-nos do Porto e apresentam-se com cinco temas alicerçados no doom, mas também não enjeitam algumas incursões no death metal. 'The Aftermath' demonstra o que muitos trabalhos debutativos evidenciam: alguma crueza e ideias a necessitarem de serem mais consistentes e trabalhadas, para além de uma enorme vontade de «mostrar trabalho». Em todo o caso, estes temas poderiam ganhar com uma produção mais efectiva, que desse um pouco mais de corporalidade a estas composições e, ao mesmo tempo, alguma da frieza que não se enquadra em lançamentos relacionados com este género. No entanto, 'The Aftermath' ou 'Lugubrious Silence' acabam por serem propostas que bem podem servir de apresentação desta banda no underground nacional e pontos de partida para algo mais. (10.7/20)</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">Tracklist:</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">01. Equal Sentence</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">02. The Aftermath</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">03. Lugubrious Silence </span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">04. The Last Empire</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">05. Unequal Judgement</span></div>
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<iframe allowfullscreen="allowfullscreen" frameborder="0" height="315" src="http://www.youtube.com/embed/rn6Oftavmok" width="420"></iframe><br />
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<span style="font-family: Arial,Helvetica,sans-serif;">Link: <a href="http://shadowgraveband.blogspot.pt/">http://shadowgraveband.blogspot.pt/</a></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"> <a href="http://www.youtube.com/user/shadowgrave2012">http://www.youtube.com/user/shadowgrave2012</a></span></div>
Anonymoushttp://www.blogger.com/profile/17530029150740222799noreply@blogger.com0tag:blogger.com,1999:blog-5772956328796815244.post-7241402954577906362012-12-20T19:15:00.000+00:002012-12-20T19:15:28.180+00:00Ab Reo Dicere: Trails Of Sorrow + Riti Occulti + Saturnus<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuM0i4f2oG8y54VROnNRi_n1jGk6m7JcaGfVwcotqo7GoHTeZNQU_QrN1W4kzLGljSUj-F-fZs65nvJpsfAMqULqbFqM1BfkXCgpXItnODjew76RFk9MvNgsTQZwfvkfqsEK4_jYFQ47c/s1600/trails2012.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuM0i4f2oG8y54VROnNRi_n1jGk6m7JcaGfVwcotqo7GoHTeZNQU_QrN1W4kzLGljSUj-F-fZs65nvJpsfAMqULqbFqM1BfkXCgpXItnODjew76RFk9MvNgsTQZwfvkfqsEK4_jYFQ47c/s200/trails2012.jpg" width="200" /></a></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><b>Trails Of Sorrow - Languish In Oblivion</b></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">Trabalho de estreia para este projecto italiano, que vagueia pelo funeral doom acrescentando-lhe alguns ambientes bem melancólicos, onde o piano faz constantes aparições, acabando por ser o ponto mais positivo deste registo; uma dezena de temas inconstantes, um pouco desiquilibrados, onde as ideias precisam de ser mais trabalhadas e, também muito importante, exige-se uma produção mais cuidada, capaz de conferir aos temas uma dimensão mais consentânea com este sub-género musical. 'Dreams Are Dying' até acaba por ser um tema com alguma beleza, mas não é acompanhado por mais nenhum dos nove restantes. Aqui e ali, encontram-se algumas melodias simpáticas, mas só isso; muito pouco cativante e o duo que dá corpo a estes Trails Of Sorrow está a precisar de assentar ideias e trabalhar mais os seus temas antes de darem mais uma falsa partida. (9.5/20)</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">Tracklist:</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">01. Dreams Are Dying</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">02. Living as to Live is to Suffer</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">03. A Grave of Loneliness</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">04. Trees Crying Leaves</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">05. See My Blood Flowing</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">06. In Luce</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">07. Suffering Comes</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">08. Wonderful Memories</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">09. A Blinking Shadow</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">10. Ora è La Fine </span></div>
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<iframe allowfullscreen="allowfullscreen" frameborder="0" height="315" src="http://www.youtube.com/embed/QNUyJIhub-w?list=UUpc1IWfQ1nLRiyNHyL9fcpQ" width="560"></iframe><br />
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<span style="font-family: Arial,Helvetica,sans-serif;">Link: <a href="http://www.youtube.com/user/doomofsorrow">http://www.youtube.com/user/doomofsorrow</a></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"> <a href="http://it-it.facebook.com/pages/Trails-Of-Sorrow/167609686628239">http://it-it.facebook.com/pages/Trails-Of-Sorrow/167609686628239</a></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9D60Y28pP1dNF3Lyi-M_swORuuvVp21TCkLSmHl_x4JbLhGwsBS3eoT4KF9ac-d1g_uNnkw2RZcCvmA5KybVkX80RvVv1VSyz7vjE4ahcS-oP1vIcovaUBbbawwNONqeMAyBB2dC9nLo/s1600/riti2012.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="179" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9D60Y28pP1dNF3Lyi-M_swORuuvVp21TCkLSmHl_x4JbLhGwsBS3eoT4KF9ac-d1g_uNnkw2RZcCvmA5KybVkX80RvVv1VSyz7vjE4ahcS-oP1vIcovaUBbbawwNONqeMAyBB2dC9nLo/s200/riti2012.jpg" width="200" /></a></div>
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<b><span style="font-family: Arial,Helvetica,sans-serif;">Riti Occulti - Riti Occulti</span></b></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">Na página do website destes italianos podemos ler o seguinte: 'their music can be best described as a mix of hypnotic sounds and esoteric themes that guide the listener towards the left hand path'. E não anda muito longe disso, este primeiro registo dos Riti Occulti. Ao longo de quase 50 minutos, somos confrontados com mais uma mistura de stoner/doom com psicadélia a rodos, onde uma voz rasgada nos vai acossando a mente e conferindo uma aura de maior negritude a cada minuto que vai passando.</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">Aqui, não há espaço para guitarras, estando a performance a cargo de um baixo bem distorcido e uma bateria costumeira, alicerçando longas passagens de teclados e efeitos marados aos quais se juntam o bouzouki e a flauta (que em conjunto com as vocalizações limpas femininas, tentam acrescentar aquele tom retro muito em voga). Não é de fácil digestão, mas com o tempo há por ali momentos bem interessantes.</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">Resumindo: imaginem Jus Oborn em longa dieta de Pink Floyd, mas somente as colheitas entre 1967 e 1970. (13.5/20)</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">Tracklist:</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">01. It's All Grey</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">02. Revelation</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">03. I'm Nobody</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">04. Alcyone</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">05. Desert of Soul</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">06. Bitter Awakening</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">07. Never a Joy </span></div>
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<iframe allowfullscreen="allowfullscreen" frameborder="0" height="315" src="http://www.youtube.com/embed/KieXblKSvTc" width="420"></iframe><br />
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<span style="font-family: Arial,Helvetica,sans-serif;">Link: <a href="http://ritiocculti.altervista.org/">http://ritiocculti.altervista.org/</a></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"> <a href="http://www.youtube.com/user/RitiOcculti">http://www.youtube.com/user/RitiOcculti</a></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgV-2ZwBsNGNUGZ0-Zgs7k5TpSJOPKY6QoR10-h3aduHznNw1Y64IvIlDfcPWlqgjyDnn-RTd-1nuXQCZFIQ_p4Ps0pUmPdz5aCkkk-iRTA8v6jaB8Knqs2cdlcXjeRmUbsgq2o0bkGnsg/s1600/saturnus2012.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgV-2ZwBsNGNUGZ0-Zgs7k5TpSJOPKY6QoR10-h3aduHznNw1Y64IvIlDfcPWlqgjyDnn-RTd-1nuXQCZFIQ_p4Ps0pUmPdz5aCkkk-iRTA8v6jaB8Knqs2cdlcXjeRmUbsgq2o0bkGnsg/s200/saturnus2012.jpg" width="200" /></a></div>
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<b><span style="font-family: Arial,Helvetica,sans-serif;">Saturnus - Saturn In Ascension</span></b></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">Seis anos depois da derivação literária que foi 'Veronika Decides To Die', a banda dinamarquesa regressa com mais um opus que exalta, novamente, a enorme qualidade das suas composições. É verdade, os Saturnus não sabem fazer álbuns menores, mantendo o nível de exigência sempre bem alto e a prova disso são estes oito temas que, apesar de não trazerem grandes novidades, conseguem um resultado global bem positivo e reforçando o colectivo como um dos pilares do género.</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">'Wind Torn' tem tudo para ombrear com temas como 'Empty Handed' ou 'Pilgrimage Of Sorrow', enquanto 'A Lonely Passage' no meio daquele tom acinzentado e triste, arrisca um perfume quase pop assente na guitarra acústica que marca o tema, sem macular o som da banda. Os temas sucedem-se, num encadeamento harmónico, melancólicos, numa triste doçura até ao seu epílogo. E sucessivas audições impõem-se, em busca dos muitos e excelentes momentos que 'Saturn In Ascension' reúne. (17/20)</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">Tracklist:</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">01. Litany of Rain</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">02. Wind Torn</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">03. A Lonely Passage</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">04. A Father's Providence</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">05. Mourning Sun</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">06. Call of the Raven Moon</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">07. Forest of Insomnia</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">08. Between </span></div>
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<iframe allowfullscreen="allowfullscreen" frameborder="0" height="315" src="http://www.youtube.com/embed/6aTIxsyhMqs" width="420"></iframe><br />
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<span style="font-family: Arial,Helvetica,sans-serif;">Link: <a href="http://www.facebook.com/pages/Saturnus/8935853109">http://www.facebook.com/pages/Saturnus/8935853109</a></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"> <a href="http://www.myspace.com/saturnus">http://www.myspace.com/saturnus</a></span>Anonymoushttp://www.blogger.com/profile/17530029150740222799noreply@blogger.com0tag:blogger.com,1999:blog-5772956328796815244.post-86400404122383320992012-12-12T18:50:00.003+00:002012-12-12T18:50:55.560+00:00Ab Reo Dicere: Embrace Of Silence + Inborn Suffering + The Howling Void<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrFNngF80Y4nSdh6OvcEBYscz-qd0go4HzI8UHqkG68gnCkf-UO2xpdvR6hs9SwY0usPttsfuHEAJQ2U0CqcKidtZb7iV0lWz5ieqWdZcMznZ53pHH7ZPN-EoW13gKBLgvtjVifu6oIU8/s1600/embrace2012.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrFNngF80Y4nSdh6OvcEBYscz-qd0go4HzI8UHqkG68gnCkf-UO2xpdvR6hs9SwY0usPttsfuHEAJQ2U0CqcKidtZb7iV0lWz5ieqWdZcMznZ53pHH7ZPN-EoW13gKBLgvtjVifu6oIU8/s200/embrace2012.jpg" width="200" /></a></div>
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<b><span style="font-family: Arial,Helvetica,sans-serif;">Embrace of Silence - Leaving the Place Forgotten by God</span></b></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">Após dois EPs, esta banda ucraniana lança o seu primeiro longa-duração com uma sonoridade fortemente enraizada no doom/death da primeira metade da década de 90 (o EP 'Inspirational Songs' será a prova cabal disso mesmo, basta consultar a tracklist).</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">A fórmula que preside a estes sete temas é por demais conhecida, mas a qualidade de algumas ideias em 'Slaves of Forgotten Graves' ou 'Way to Salvation', por exemplo, são mais que suficientes para admitir que estamos para além de uma mera cópia dos My Dying Bride ou de uns Anathema na sua fase inicial; no entanto, 'Silent Voice, Empty Words' acaba por soar demasiado colada à banda de Halifax, dificultando a tarefa de esconder nas entrelinhas das composições essas mesmas influências.</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">Este é um álbum para fãs do género, disso não haverá dúvida, mas sublinhamos a existência de ideias interessantes aqui presentes e, se forem bem exploradas, poderão granjear uma maior visibilidade a este projecto. (13.9/20)</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><b>Tracklist:</b></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">1. In Gloom Of Somnolent Night</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">2. The Slave Of Forgotten Graves</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">3. The Gates Of Remembrance</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">4. Silent Voice, Empty Words</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">5. Way To Salvation</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">6. In Angel’s Hand</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">7. I’m Your Jesus</span></div>
<br />
<iframe allowtransparency="true" frameborder="0" height="100" src="http://bandcamp.com/EmbeddedPlayer/v=2/album=1729234647/size=venti/bgcol=FFFFFF/linkcol=4285BB/" style="display: block; height: 100px; position: relative; width: 400px;" width="400"><a href="http://embraceofsilence.bandcamp.com/album/leaving-the-place-forgotten-by-god">Leaving The Place Forgotten By God by Embrace Of Silence</a></iframe><br />
<br />
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">Link: <a href="http://embraceofsilence.bandcamp.com/">http://embraceofsilence.bandcamp.com/</a></span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;"> <a href="http://solitude-prod.com/">http://solitude-prod.com/</a></span> </div>
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiENRMELHkCRnHoLw17wW5CD-X-C3ZRtPA6jcWCnwX7PK72WWFpFnGRcWaKzz7qk5WPMUmNQ0JYPs47idO87fzrMlHhXBPKNqVKipL1AKtaLZ8RHsxGxB0RNpWAVaErEzRSyATMt-h7-0/s1600/inborn2012.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiENRMELHkCRnHoLw17wW5CD-X-C3ZRtPA6jcWCnwX7PK72WWFpFnGRcWaKzz7qk5WPMUmNQ0JYPs47idO87fzrMlHhXBPKNqVKipL1AKtaLZ8RHsxGxB0RNpWAVaErEzRSyATMt-h7-0/s200/inborn2012.jpg" width="200" /></a></div>
<div style="text-align: center;">
<span style="font-family: Arial,Helvetica,sans-serif;"><b>Inborn Suffering - Regression to Nothingness </b></span></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">Seis anos após 'Wordless Hope', eis que surge o segundo registo destes franceses, continuando fiéis às linhas do melodic doom/death carregado de densas e profundas atmosferas que marcaram esse primeiro registo. Apesar disso, esta longa espera está longe de significar estagnação e 'Slumber Asylum', logo a iniciar é reveladora disso mesmo, com o seu ritmo forte e compassado, a suportar uma melodia que inclui um riff que se entranha ao fim de pouco tempo, desaguando em toadas mais lentas e belas. Somos apanhados de surpresa ao mesmo tempo que se revela uma banda mais madura e com uma qualidade de composição mais elevada. 'Born Guilty', começa em mid-tempo, como se estivéssemos no meio de uma tempestade, amainando mas mantendo todo o tema como uma bela sequência de passagens que se encaixam muito bem, sendo uma das melhores faixas deste registo (os minutos finais de 'Grey Eden' também são muito bons).</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">'Regression to Nothingness' está uns furos acima de 'Wordless Hope'; funciona como um todo bastante coeso, interessante e sem grandes momentos que soem a fillers.</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">Terá valido a pena esta espera de seis anos? "Este é um dos melhores álbuns do género, este ano!", será a nossa resposta. (16.3/20)</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;"><br /></span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;"><b>Tracklist:</b></span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">1. Slumber Asylum</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">2. Born Guilty</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">3. Grey Eden</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">4. Apotheosis</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">5. Another World</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">6. Regression To Nothingness</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">7. Self Contempt Kings</span></div>
<br />
<iframe allowtransparency="true" frameborder="0" height="100" src="http://bandcamp.com/EmbeddedPlayer/v=2/track=3816815823/size=venti/bgcol=FFFFFF/linkcol=4285BB/" style="display: block; height: 100px; position: relative; width: 400px;" width="400"><a href="http://inbornsuffering.bandcamp.com/track/born-guilty-2">Born Guilty by Inborn Suffering</a></iframe><br />
<br />
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">Link: <a href="http://inbornsuffering.bandcamp.com/">http://inbornsuffering.bandcamp.com/</a> </span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;"> <a href="http://solitude-prod.com/">http://solitude-prod.com/</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJdCjimEELhngOq-f4-wzu27Kpd42Fwbn2jRXaiJgkGk6cV1IDUwT-uZXn2r7tB6cZ_8LIc45Mm8QNzqurWYnKxRIb0f-9DN6O1AU_B56g80aLibaMSHIFpKeiuRzb-JA1HDJ9TQ6hqpg/s1600/howling2012.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="179" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJdCjimEELhngOq-f4-wzu27Kpd42Fwbn2jRXaiJgkGk6cV1IDUwT-uZXn2r7tB6cZ_8LIc45Mm8QNzqurWYnKxRIb0f-9DN6O1AU_B56g80aLibaMSHIFpKeiuRzb-JA1HDJ9TQ6hqpg/s200/howling2012.jpg" width="200" /></a></div>
<div style="text-align: center;">
<span style="font-family: Arial,Helvetica,sans-serif;"><b>The Howling Void - The Womb Beyond The World</b> </span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;"><br /></span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">Álbum número três desta one man band proveniente do Texas.</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">Ao longo dos quatro temas que compõem este 'The Womb Beyond The World', continuam a prevalecer as sonoridades funéreas com momentos mais ambientais que já se encontravam presentes em lançamentos anteriores. Os temas continuam a ser bastante longos, rondando os 15 minutos cada, em média, e o cenário para o qual nos transportam é exactamente igual ao que podemos constatar em 'Megaliths of the Abyss' ou em 'Shadows Over the Cosmos'.</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">As teclas continuam a dominar as composições, funcionando como elo de ligação entre todas as partes que vão construíndo estas odes lentas, dando a nítida impressão de uma certa filiação em linhas sonoras exploradas pelos Comatose Vigil ou pelos EA, mas sem conseguir atingir os níveis de interesse dessas bandas em álbuns como 'Fuimus, Non Sumus...' ou 'Ea', respectivamente. E quando as coisas são assim, apesar de estarmos perante um trabalho certinho e com um som decente, não há muito mais a dizer. (11/20)</span></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;"><b>Tracklist:</b></span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">1. The Womb Beyond The World</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">2. The Silence Of Centuries End</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">3. Lightless Depths</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">4. Eleleth</span></div>
<br />
<iframe allowtransparency="true" frameborder="0" height="100" src="http://bandcamp.com/EmbeddedPlayer/v=2/track=1943532737/size=venti/bgcol=FFFFFF/linkcol=4285BB/" style="display: block; height: 100px; position: relative; width: 400px;" width="400"><a href="http://thehowlingvoid.bandcamp.com/track/the-womb-beyond-the-world">The Womb Beyond The World by The Howling Void</a></iframe><br />
<br />
<br />
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">Link: <a href="http://thehowlingvoid.bandcamp.com/">http://thehowlingvoid.bandcamp.com/</a></span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;"> <a href="http://solitude-prod.com/">http://solitude-prod.com/</a></span></div>
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<br />Anonymoushttp://www.blogger.com/profile/17530029150740222799noreply@blogger.com0tag:blogger.com,1999:blog-5772956328796815244.post-69161341452459700702012-12-05T23:07:00.000+00:002012-12-05T23:07:27.221+00:00Isis - Temporal<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnEoVKufsdDrutKc_AjXZdVDIkrK0fiKW88yU7hHjgmsRPauXtjvnZGomhjCZ9VkgnbE9OPhdzpi_SkT43M785aOVrHZogiOA8EdKfhpBeym5-sYBimmmIAwTl5FwdX4CZN38IUlpyL0M/s1600/isistemporal2012.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnEoVKufsdDrutKc_AjXZdVDIkrK0fiKW88yU7hHjgmsRPauXtjvnZGomhjCZ9VkgnbE9OPhdzpi_SkT43M785aOVrHZogiOA8EdKfhpBeym5-sYBimmmIAwTl5FwdX4CZN38IUlpyL0M/s200/isistemporal2012.jpg" width="200" /></a></div>
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<span style="font-family: "Arial","sans-serif";">Fomos
todos apanhados de surpresa quando, em 2010, os Isis resolveram colocar um
ponto final na sua carreira, pouco tempo depois do lançamento de um bem
sucedido 'Wavering The Radiant', que sucedia a colossos como 'Celestial',
'Oceanic' ou 'In The Absence Of Truth', definidores das linhas-mestras de um
género que se vulgarizou sob o nome de post-metal.</span></div>
<div style="text-align: justify;">
<span style="font-family: "Arial","sans-serif";">Pois
bem, os órfãos andaram a lamber as feridas durante um longo tempo, chorando
baba e ranho, mas ao mesmo tempo refugiando-se nos inspiradores e nos
sucedâneos, um conforto agora reforçado com novos lançamentos dos Neurosis e
Amenra, respectivamente. </span></div>
<div style="text-align: justify;">
<span style="font-family: "Arial","sans-serif";">'Temporal'
vem mostrar que os Isis não devem ser esquecidos, não podem ser tomados por um
qualquer epi-fenómeno que após o seu ocaso é varrido das mentes como um simples
<i style="mso-bidi-font-style: normal;">delete</i>. Os 14 temas que compõem esta
compilação (pois, longe está de ser um mero <i style="mso-bidi-font-style: normal;">best
of</i>, na sua linha mais redutora), trazem demos, remixes, inéditos e outros
menos acessíveis até agora (para além de um DVD com a sua videografia), que, à
primeira vista, parecem desgarrados, mas numa análise um pouco mais atenta
demonstra um conjunto bastante interessante para os seguidores da banda e um
excelente cartão de visita para aqueles que, só agora, tomem contacto com a
banda. As demos, com as suas alterações face às versões finais, ouça-se 'Ghost
Key' aqui sem voz ou então 'Carry' com diferentes linhas de guitarra, serão
porventura o prato menos aliciante. No entanto, o destaque da primeira rodela
vai para a imensa 'Grey Divide', 16 minutos pontuados por uma batida seca,
sobre a qual as guitarras crescem, desfiando melodias que nos envolvem;
descansam ali pelo meio, qual canção de embalar e regressam, sublimes; os
trunfos não tinham sido todos jogados.</span></div>
<div style="text-align: justify;">
<span style="font-family: "Arial","sans-serif";">Na
segunda metade deste lançamento, 'Streetcleaner', dos Godflesh e 'Hand of
Doom', dos Black Sabbath, demonstram a amplitude de referências musicais
trazidas para o seio do colectivo. Dois temas que viram a luz do dia ainda no
final da década de 90, mas bastante competentes e com o devido tratamento
Isis-iano. As remixes não trazem nada de novo ou empolgante e 'Temporal' está
na linha da lavra de Aaron Turner e Co.. A recta final com 'Way Through Woven
Branches', 'The Pliable Foe', resultantes da recente investida com os Melvins,
e a versão acústica de '20 Minutes/40 Years', encerra da melhor forma estas
quase duas horas de música, com belíssimos momentos, agradáveis surpresas e a
certeza que o mundo ainda precisa dos Isis. (16.5/20)</span></div>
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<span style="font-family: "Arial","sans-serif";">English:</span></div>
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<![endif]-->We were all caught by surprise when, in 2010, Isis decided to put an end to their career, shortly after the release of a successful 'Wavering Radiant', successor of giants like 'Celestial', 'Oceanic' or 'In The Absence Of Truth', albums that defined the main lines of a musical style which is popularized under the name of post-metal.<br />Well, the orphans passed a long time licking their wounds, crying snot and drool, but at the same time taking refuge in inspiring and substitutes, a comfort now enhanced with new releases of Neurosis and Amenra, respectively.<br />'Temporal' comes to show that Isis should not be forgotten, cannot be analysed as an epiphenomenon which is swept away from our minds after its demise as a simple delete. These 14 songs that make up this compilation (far from being merely a best of, in its most simplistic line), are demos, remixes, unreleased tracks and other less accessible songs until now (plus a DVD with their videography) that, at first glimpse, seem strayed, but a slightly more careful analysis shows a fairly interesting one for followers of the band and a great card for those who only now take contact with the band. The demos, with their changes faced to the final versions, listen up 'Ghost Key' here without voice or 'Carry' with different guitar lines, probably are the less interesting point. However, the highlight of the first disc goes for the immense 'Grey Divide', 16 minutes punctuated by a solid rhythm but simple, on which the guitars grow, unravelling melodies that wrap us; they rest after a few minutes, turning into a sweet lullaby and then returns, sublime; the assets were not all played.<br />In the second half of this release, 'Streetcleaner' of Godflesh and 'Hand of Doom', from Black Sabbath’s classic ‘Paranoid’, demonstrates the breadth of musical references brought into the bosom of the collective. This two covers have seen the light of day in the late-90s, but are really quite competent and took the proper treatment to fit on Isis sound. The remixes do not bring anything new or exciting and 'Temporal' is in the action line of Aaron Turner and Co...The final stretch with "Way Through Woven Branches ',' The Pliable Foe ', resulting from the recent onslaught with the Melvins, and the acoustic version of '20 Minutes/40 Years', closes with gold these nearly two hours of music, with beautiful moments, pleasant surprises and the certainty that the world still needs Isis. (16.5/20) </span></div>
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<b>Tracklist:</b><br />
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">01. Threshold of Transformation (demo) 01. Streetcleaner (Godflesh cover)</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">02. Ghost Key (alternate demo version) 02. Hand of Doom (Black Sabbath cover)</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">03. Wills Dissolve (alternate demo version) 03. Not in Rivers, But in Drops (Melvins/Lustmord remix)</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">04. Carry (demo) 04. Holy Tears (Thomas Dimuzio remix)</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">05. False Light (demo) 05. Temporal</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">06. Grey Divide (demo) 06. Way Through Woven Branches</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"> 07. The Pliable Foe</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"> 08. 20 Minutes/40 Years (Acoustic version)</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><iframe allowfullscreen="allowfullscreen" frameborder="0" height="315" src="http://www.youtube.com/embed/-9EhHqqzJFQ" width="560"></iframe> </span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">Link: <a href="http://www.isistheband.com/">http://www.isistheband.com/</a></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"> <a href="http://www.facebook.com/pages/ISIS/158503560864483">http://www.facebook.com/pages/ISIS/158503560864483</a> </span></div>
Anonymoushttp://www.blogger.com/profile/17530029150740222799noreply@blogger.com0tag:blogger.com,1999:blog-5772956328796815244.post-47487439977057600842012-11-27T18:52:00.001+00:002012-11-27T18:52:25.570+00:00Dead Rooster - Witches Of Belial<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOCUksI8mmueRVwUX5aSPmbLiJgRX1Gn1J4eFufcHWZKer1u5e-lB4P0cOXXg97oTS9Nr4vqR1d70h8yoDtfO642fel9Ok8C9g4c3YEZSeIBe6LpLSK64A_AwImJoDpeNknavSTwpapeQ/s1600/deadrooster2012.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOCUksI8mmueRVwUX5aSPmbLiJgRX1Gn1J4eFufcHWZKer1u5e-lB4P0cOXXg97oTS9Nr4vqR1d70h8yoDtfO642fel9Ok8C9g4c3YEZSeIBe6LpLSK64A_AwImJoDpeNknavSTwpapeQ/s200/deadrooster2012.jpg" width="200" /></a><div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">Formados em Buenos Aires, há um par de anos, os Dead Rooster apresentam-se ao mundo com 4 temas de doom metal bem cru, com alguns toques de drone, mas com uma visceralidade bem negra.<br />Assim, à primeira vista, a sonoridade deste trio assemelha-se à junção de riffs de Black Sabbath + negrura de uns Celtic Frost + psicadelismo dos Ufomammut, resultando num conjunto de ritmos bem lentos e pesados aliados guitarras sujas e baixos ultra-distorcidos, tudo junto num ambiente a pender para o fétido e enevoado.<br />Sem ser um lançamento de charneira, estamos perante uma cartão de visita interessante, que peca por algum monocordismo na estrutura e abordagem aos temas. Mas esperemos que os lançamentos futuros nos surpreendam. E parece que não vai ser preciso esperar muito para escutarmos novidades.<br />Uma celebração ao grande bode, à qual podem juntar-se gratuitamente.</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><br />Tracklist:<br />01. Order of the Frostsnake<br />02. Cosmis Seeds of Uncreation<br />03. Night of the Usurper<br />04. Goddess of Progeny and Destruction</span></div>
<br /><iframe allowfullscreen="allowfullscreen" frameborder="0" height="315" src="http://www.youtube.com/embed/AIK0bPt3rII" width="560"></iframe>
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<span style="font-family: Arial,Helvetica,sans-serif;">Link: <a href="http://www.deadrooster.com.ar/">http://www.deadrooster.com.ar/</a><br /> <a href="http://deadroosters.bandcamp.com/">http://deadroosters.bandcamp.com/</a><br /> <a href="http://www.facebook.com/pages/Dead-Rooster/111919282175138">http://www.facebook.com/pages/Dead-Rooster/111919282175138</a> </span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOCUksI8mmueRVwUX5aSPmbLiJgRX1Gn1J4eFufcHWZKer1u5e-lB4P0cOXXg97oTS9Nr4vqR1d70h8yoDtfO642fel9Ok8C9g4c3YEZSeIBe6LpLSK64A_AwImJoDpeNknavSTwpapeQ/s1600/deadrooster2012.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><br /></a></div>
Anonymoushttp://www.blogger.com/profile/17530029150740222799noreply@blogger.com0tag:blogger.com,1999:blog-5772956328796815244.post-4093621052028850382012-11-20T18:48:00.000+00:002012-11-20T18:48:18.362+00:00Ufomammut - Oro:Opus Primum/Oro: Opus Alter<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnpZCYKrslcAhlXuJlEdWPw8fswJ1hrHQ4hRm_bQx_wME9AeoQh_Y1mylS2XAaXcRDT9NjEBy9sFZCi3ObHCy-xFAMytzmPG5_l8vqWsurUTCNQpZvNowLl0PaME3kFQrppL_gD2vOl_Q/s1600/oroprimum.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnpZCYKrslcAhlXuJlEdWPw8fswJ1hrHQ4hRm_bQx_wME9AeoQh_Y1mylS2XAaXcRDT9NjEBy9sFZCi3ObHCy-xFAMytzmPG5_l8vqWsurUTCNQpZvNowLl0PaME3kFQrppL_gD2vOl_Q/s200/oroprimum.jpg" width="200" /></a></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">O lento crescendo de 'Empireum' vai inundando a nossa sala e tomando conta dos sentidos, numa toada hipnótica, marcando o regresso da banda de Tortona aos discos, após o incontornável 'Eve', uma obra maior na discografia dos Ufomammut.</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">'Oro: Opus Primum' entra assim, de mansinho com mais uma mão cheia de temas que, certamente, nos irão colocar à prova, pois nem tudo é imediato, linear e muito menos simples na sua música.</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">Há pontos de contacto com o seu antecessor e até ao final do tema de abertura isso parece-nos claro, mas é com 'Aureum' que as coisas começam a tomar rumos ligeiramente diferentes e, ao mesmo tempo, um pouco difusos, uma neblina que se vai instalando e não nos permite vislumbrar que caminho querem seguir. As malhas não são desgarradas, perdidas, desconexas, mas sente-se a necessidade de fugir à cópia e comparação com o passado. Os temas fluem, os ritmos lentos, secos e duros e a repetição quase até à exaustão estão lá; os efeitos, samples e vozes minimais fazem o seu trabalho. Tudo isto corresponde a um peso colossal, como já é hábito, mas fica a sensação de alguma descontinuidade que só é suprimida com 'Oro: Opus Alter', que chega uns meses mais tarde. (13.8/20) </span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9-x6L1W1Onm191GIHyoJROFQrWQKXqaUEpTOgkPUf6mWz-NMKi_6RK-TSHDh4T2_hCpaH603LxUqpKZCUlZ6mzjrnnG2NYElQtOXHWHUTPMeX4O3gUtOIUKTgzb4uYtR2ZnF1pupgRlU/s1600/oroalter.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9-x6L1W1Onm191GIHyoJROFQrWQKXqaUEpTOgkPUf6mWz-NMKi_6RK-TSHDh4T2_hCpaH603LxUqpKZCUlZ6mzjrnnG2NYElQtOXHWHUTPMeX4O3gUtOIUKTgzb4uYtR2ZnF1pupgRlU/s200/oroalter.jpg" width="200" /></a></span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">Não, não estamos perante o irmão gémeo de 'Opus Primum', mas antes a sua continuação. A par do pormenor de um claro jogo de palavras presente nos títulos destes cinco novos temas, verifica-se um pormaior, ou seja, uma abordagem mais directa, com riffs monolíticos avassaladores (a recta final de 'Oroborus' é de nos pôr em sentido), sem perdas de tempo com «esquisitices», sem tornar as coisas demasiado cerebrais, mas mantendo uma interligação entre os andamentos, conferindo-lhe uma dimensão mais próxima comparativamente ao seu passado recente. Orgânico e visceral, talvez sejam os adjectivos que melhor se adequem para definir este novo conjunto de «orações», sem deixar de destacar 'Sulphurdew' e a já referida 'Oroborus', momentos de maior inspiração, evocativos da grande qualidade que esta banda tem e da sua capacidade para escrever paisagens sonoras demolidoras.</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">Muito se tem escrito acerca do timming de lançamento destes dois registos, mas independentemente dessa lana caprina importa salientar que, embora diferentes em algum do seu conteúdo, conjugados, 'Opus Primum' e 'Opus Alter' não infligem mácula no som dos Ufomammut, cimentando a sua posição de destaque no panorama da música extrema.</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">Agora, ouçam tudo de uma assentada, bem alto, e fiquem com a cabeça a andar à roda. (16.3/20)</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">English:</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">The slow growing of 'Empireum' is flooding our room and taking control of the senses, with an hypnotic tune, marking the return of Tortona`s band to records, after the unavoidable 'Eve', a foremost work in the discography of Ufomammut.<br />'Oro: Opus Primum' comes so softly over a handful of tracks that certainly will test us, because everything is not quiet immediate, linear and much less simple in their music.<br />There are points of contact with his predecessor and it seems clear to us until the end of the opening theme, but with 'Aureum' things start to take slightly different paths and at the same time, a little fuzzy, a fog that is installing and will not allow us to discern which path they want to follow. The tracks are not stray, lost, disconnected, but feels the need to escape to copy and comparison with the past. The tunes flow and all the slow rhythms, dry and hard and almost repeated until exhaustion are there; effects, samples and minimal voices do their job. All this represents a colossal heaviness, as has become customary, but gets the feeling that some discontinuity is only suppressed with 'Oro: Alter Opus', which comes a few months later. (13.8/20)<br />No, we are not facing the twin brother of 'Opus Primum', but rather its extension. Alongside the detail of a clear game of words present in the titles of these new five tunes, there is a much more direct approach, with overwhelming monolithic riffs (the final run of 'Oroborus' put us unwinking ) without wasting time with 'oddities', without making things too intellectual, but maintaining a connection between the movements, giving them a closer dimension comparatively to its recent past. Organic and visceral, these adjectives are perhaps well-suited to define this new set of "prayers", while highlighting 'Sulphurdew' and the abovementioned 'Oroborus', moments of special inspiration, evocative of the great quality of this band and their ability to write devastating soundscapes.<br />Much has been written about the timing of release of these two records, but regardless of this wool goats what really matters, although some difference in some of its content, combined, 'Opus Primum' and 'Opus Alter' do not inflict any stain in the sound of Ufomammut, cementing its position in the extreme music scene.<br />Now listen all at once, loud, and stay with your head to spin. (16.3/20) </span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">Tracklists:</span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><br /></span>
<span style="font-family: Arial,Helvetica,sans-serif;"> Oro: Opus Primum Oro: Opus Alter</span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"> 01. Empireum 01. Oroborus</span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"> 02. Aureum 02. Luxon</span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"> 03. Infearnatural 03. Sulphurdew</span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"> 04. Magickon 04. Sublime</span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"> 05. Mindomine 05. Deityrant</span><br />
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<span style="font-family: Arial,Helvetica,sans-serif;">Links: <a href="http://www.ufomammut.com/">http://www.ufomammut.com/</a></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"> <a href="http://www.facebook.com/pages/UFOMAMMUT/83336386071">http://www.facebook.com/pages/UFOMAMMUT/83336386071</a> </span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"> <a href="http://www.youtube.com/user/malleusdelic">http://www.youtube.com/user/malleusdelic</a></span>Anonymoushttp://www.blogger.com/profile/17530029150740222799noreply@blogger.com0tag:blogger.com,1999:blog-5772956328796815244.post-74822580685497520482012-11-11T11:25:00.000+00:002012-11-11T11:25:17.683+00:00Abske Fides - Abske Fides<div class="separator" style="clear: both; text-align: center;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAa2YogaHmVvgapcW5f5kIW4SGYPkcxnK0uJGOLq03Il3Vl-8wmlvrE8Hd_wbvRh2tjONkVn9MxIVutXovKVZhgbH0NAKul1Sjn8p99D98ag1gM5JV_xnEhdbg0AtO_2769z8riTrze9A/s1600/abske2012.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAa2YogaHmVvgapcW5f5kIW4SGYPkcxnK0uJGOLq03Il3Vl-8wmlvrE8Hd_wbvRh2tjONkVn9MxIVutXovKVZhgbH0NAKul1Sjn8p99D98ag1gM5JV_xnEhdbg0AtO_2769z8riTrze9A/s200/abske2012.jpg" width="200" /></a></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">Há quase uma década que os Abske Fides andam a espalhar negrura num país que pouco ou nada deve a essa cor, o Brasil. Após uma abordagem, na sua demo de estreia, mais virada para o black metal de tons depressivos, seguiram-se dois EPs que tinham como mote o funeral doom. Três anos depois de 'Disenlightment', eis o primeiro longa-duração, auto-intitulado, que marca mais uma variação na orientação musical da banda. Agora, prevalece uma abordagem aos temas na linha do death/doom em deterimento das toadas mais funéreas. Isso é bem evidente na faixa de abertura 'The Consequence Of The Other', que na parte final contém uma voz feminina a dar um toque mais belo a esta entrada..</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">A primeira metade do álbum segue esta linha, numa abordagem quase clássica, a que não faltam o jogo entre growls e vozes limpas e passagens mais agrestes e outras mais contemplativas. 'Aesthetic Hallucination of Reality', incluído no último EP da banda, embora numa versão um pouco mais longa, marca o início de uma perda de rumo da banda, que vai do funeral doom até momentos mais uptempo no mesmo tema, entrando, depois, por caminhos que nos levam ao post-rock de uns Sigur Rós, por exemplo; 'Embroided In Reflections' talvez seja o melhor exemplo.</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">Não há aqui temas mal executados, mas a falta de um fio condutor é bem notória, fazendo com que este álbum não seja mais do que um conjunto de temas agrupados, sem fazerem grande sentido no cômputo final. O que é uma pena. (11/20).</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">Tracklist:</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">01. The Consequence of the Other </span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">02. Won't You Come</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">03. The Coldness of Progress</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">04. Aesthetic Hallucination of Reality </span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">05. 4.48</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">06. Embroided in Reflections</span></div>
<br />
<iframe allowtransparency="true" frameborder="0" height="100" src="http://bandcamp.com/EmbeddedPlayer/v=2/album=3051429061/size=venti/bgcol=FFFFFF/linkcol=4285BB/" style="display: block; height: 100px; position: relative; width: 400px;" width="400"><a href="http://abskefides.bandcamp.com/album/abske-fides">Abske Fides by Abske Fides</a></iframe><br />
<br />
<span style="font-family: Arial,Helvetica,sans-serif;">Link: <a href="http://abskefides.bandcamp.com/">http://abskefides.bandcamp.com/</a></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"> <a href="http://solitude-prod.com/">http://solitude-prod.com/</a></span>Anonymoushttp://www.blogger.com/profile/17530029150740222799noreply@blogger.com0tag:blogger.com,1999:blog-5772956328796815244.post-91220179893729344232012-11-01T09:59:00.001+00:002012-11-01T10:04:22.634+00:00Neurosis - Honor Found In Decay<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixAmIgmZ8SSphBiEDECpR3qGwdWKtF2gSNNQKbjetWT4pCKWGF070RpWeZDfwTNa0pR0ThCFBzbk-yzb-R2NO267mxPKs29lFPdjxTe4D9j-t_SsJ07EDrHoyYSGBLgQEQ-hlSUvMow-s/s1600/neurosis2012.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixAmIgmZ8SSphBiEDECpR3qGwdWKtF2gSNNQKbjetWT4pCKWGF070RpWeZDfwTNa0pR0ThCFBzbk-yzb-R2NO267mxPKs29lFPdjxTe4D9j-t_SsJ07EDrHoyYSGBLgQEQ-hlSUvMow-s/s200/neurosis2012.jpg" width="200" /></a></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">É já na recta final de 2012 que é lançado um dos álbuns mais aguardados do ano. A expectativa sobre o sucessor de 'Given To The Rising' era enorme; afinal estamos a falar de uma das bandas mais importantes dos últimos 20 anos, no espectro da música pesada (e, atenção que pesada, para o caso concreto do colectivo de Oakland, está bem para além do que a mera música).</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">Os primeiros 60 minutos de contacto com esta nova proposta foram estranhos, na verdade. 'We All Rage In Gold' até nos transporta para aquele ambiente do seu antecessor, mas volvidos alguns minutos nota-se ali algo diferente. E essa sensação prolonga-se pelos seis temas seguintes. "Que raio! Sensaborão!", é a nossa exclamação após o impacto. Mas, o facto, é que há discos que crescem com o tempo, com a aturada atenção que lhes dispensamos e o entendimento, que julgamos obter, do que se pretende a cada lançamento por parte da banda. 'Honor Found In Decay' é, de certo modo, diferente - não no sentido de quebra da repetição -, mais maduro; é o álbum que se faz quando é atingido um determinado patamar, o da excelência entenda-se, e tudo o que se tem para a oferecer está ali, despido na simplicidade, honestidade e <i>savoir faire</i>; em suma, a grandeza. 'My Heart For Deliverance' e 'Casting Of The Ages' poderão ser dos melhores exemplos disso mesmo.</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">Ao fim de uma boa dezena de audições, vemos o décimo primeiro longa-duração dos Neurosis sob outro prisma: não o do imediatismo e da continuidade, mas sim a busca de algo maior. Não é um resumo nem o baralhar e voltar a dar. É aquilo que não se consegue explicar, mas está ali tão escancarado naqueles sons e palavras. (18/20)</span><br />
<br />
<span style="font-family: Arial,Helvetica,sans-serif;">English:<br />It is now in the final stretch of 2012, which is released one of the most anticipated albums of the year. The expectation on the successor of 'Given To The Rising' was huge; after all, we are talking about one of the most important bands of the last 20 years, in the spectrum of heavy music (and attention that «heavy», to the case of the collective from Oakland, is well beyond from what is simple music).<br />The first 60 minutes of contact with this new proposal were strange indeed. 'We All In Rage Gold' transports us to the atmosphere of its predecessor, but a few minutes ware we note there is something different. And this feeling extends during the following six tracks. "What the hell! Tasteless!", it is our exclamation after the impact, but, the fact is there are records that grow over time, with devoted attention we dispense to them and the comprehension, which we think obtained, of what is desired by each release of the band. 'Honor Found In Decay' is somehow different - not in the sense of breaking the repetition of the formula -, more mature, the album is what you do when a certain threshold is reached, the excellence one, and all that has to offer is there, naked in simplicity, honesty and savoir faire; in conclusion, greatness. 'My Heart For Deliverance' and 'Casting Of The Ages' may be the best examples of this.<br />After a good dozen hearings, we see the eleventh album of Neurosis in a different perception: not the immediacy and continuity, but the pursuit of something greater. It is not a summary or the shuffling and giving back. It's what you can not explain, but there is so barefaced in those sounds and words. (18/20)</span></div>
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<br /></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">Tracklist:</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">01. We All Rage In Gold</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">02. At The Well</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">03. My Heart For Deliverance</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">04. Bleeding The Pigs</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">05. Casting Of The Ages</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">06. All Is Found... In Time</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">07. Raise The Dawn</span></div>
<br />
<iframe allowfullscreen="allowfullscreen" frameborder="0" height="315" src="http://www.youtube.com/embed/yyw1lyhaTHw" width="560"></iframe><br />
<br />
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">Link: <a href="http://www.neurosis.com/">http://www.neurosis.com/</a></span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;"> <a href="http://www.facebook.com/officialneurosis">http://www.facebook.com/officialneurosis</a></span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;"> <a href="http://www.neurotrecordings.com/">http://www.neurotrecordings.com/</a></span></div>
Anonymoushttp://www.blogger.com/profile/17530029150740222799noreply@blogger.com0tag:blogger.com,1999:blog-5772956328796815244.post-18653477174210804382012-10-26T09:02:00.000+01:002012-10-26T09:02:33.151+01:00Echoes Of Yul - Cold Ground<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1ZWDfRcdGuIK2mIre5-6XnoGKL1PDyoXxTulw11ftRawUHA-KtR5Fzzb8n5XKDBszqdQTTUu_xsF6wJmm9EG8nlFN0g8y5iexKgM9tmoblyEhDUCZOexv133zrevbZSedYHa-bW-vXuw/s1600/echoes2012.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="182" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1ZWDfRcdGuIK2mIre5-6XnoGKL1PDyoXxTulw11ftRawUHA-KtR5Fzzb8n5XKDBszqdQTTUu_xsF6wJmm9EG8nlFN0g8y5iexKgM9tmoblyEhDUCZOexv133zrevbZSedYHa-bW-vXuw/s200/echoes2012.jpg" width="200" /></a></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">Os Echoes Of Yul têm algo de cinematográfico; e isso ficou bem patente no seu primeiro álbum, lançado em 2009, em que cada tema parecia corresponder a um determinado momento de um filme muito obscuro, com uma produção descuidada e com parcos recursos. O argumento seriam as próprias músicas e os actores apanhados desprevenidos porque não sabia que o eram.<br />Foi uma apresentação ao mundo em tons bem negros, deixando-nos em suspenso sobre qual o passo seguinte da dupla Jarek e Michal, no meio de uma variedade de sons bem condensada em densas atmosferas onde o drone paira, encorpando e unindo a amálgama sonora. 'From Infinity To Infinity' continuava a latejar na cabeça após o fim do disco; 'Or' tinha o mesmo efeito...<br />Três anos volvidos, 'Cold Ground' mostra-nos uma aposta mais firme na costela ambiental do projecto, com recorrentes passagens que nos trazem os Jesu à cabeça e, igualmente, os Nine Inch Nails ali por alturas do 'The Fragile' e onde a visceralidade que podíamos admirar na obra de estreia, muito na veia de uns Godflesh, encontra-se relegada para um nível diminuto, em que 'Libra' talvez seja o exemplo mais claro e que acaba por soar muito bem ali a meio do disco, numa altura em que este corria o risco de entrar numa linha algo enfadonha. A segunda metade deste trabalho não destoa e até ao exalar de 'Last', que representa muito bem os cinquenta e tal minutos anteriores, os sons discorrem; uns, quase indiferentes, outros, mais envolventes, mas tudo sempre coeso e ligado.<br />Este não é, definitivamente, um álbum que busca equilíbrios entre as facetas dos Echoes Of Yul, mas antes mais uma viagem exploratória de sons e texturas revelando-nos que a repetição não deve fazer parte do dicionário destes senhores e cada trabalho pode ser uma porta escancarada para o que lhes der na real gana. Assim seja. (14/20)</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;"><br /></span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">English:</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">Echoes Of Yul have something cinematic, and it was evident in their first album, released in 2009, in which each track seemed to correspond to a particular moment of a very dark film, under-resourced and with a mistreated production. The argument would be the songs themselves and the actors caught off guard because they did not know who they were.<br />It was a presentation to the world in dark shades as well, leaving us in suspense about what the next step of the duo Jarek and Michal, in a middle of a variety of sounds well condensed into dense atmospheres where the drone hovers, embodying and uniting the amalgam of sound. 'From Infinity To Infinity' still beating in the head after the end of the disc; 'Or' had the same effect...<br />Three years later, 'Cold Ground' shows us a bet firmer rib environmental project, with recurrent passages that bring to mind Jesu, and also Nine Inch Nails there for heights of 'The Fragile' album and where viscerality we could admire in the debut work, much in the vein of some Godflesh, is relegated to a diminished level, where 'Libra' is perhaps the clearest example and it ends up sounding quite right there in the middle of the disc, when the risk of entering in a boring line was a fact. The second half of this work does not clash until the breathe out of 'Last', which represents very well the fifty minutes of this album, the sounds discourse; ones, almost indifferent, other, more engaging, but everything always cohesive and connected.<br />This isn’t, definitely, an album that searches for balances between all the facets of Echoes Of Yul, but it is more an exploratory trip of sounds and textures revealing to us that repetition should not be part of the dictionary of these gentlemen and each record can be a gateway wide open to do what they want. So be it. (14/20)</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;"><br /></span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">Tracklist:</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">01. Octagon<br />02. Foundations<br />03. The Tenant<br />04. Crosses<br />05. Numbers<br />06. Haunebu<br />07. Libra<br />08. Save Yourself<br />09. The Plane<br />10. The Message<br />11. Cold Ground<br />12. Chrome<br />13. Last</span></div>
<br />
<iframe allowtransparency="true" frameborder="0" height="100" src="http://bandcamp.com/EmbeddedPlayer/v=2/track=4190742709/size=venti/bgcol=FFFFFF/linkcol=4285BB/" style="display: block; height: 100px; position: relative; width: 400px;" width="400"><a href="http://echoesofyul.bandcamp.com/track/numbers">Numbers by Echoes Of Yul</a></iframe><br /><br />
<br />
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">Link: <a href="http://echoesofyul.bandcamp.com/">http://echoesofyul.bandcamp.com/</a><br /> <a href="http://www.avantgardemusic.com/">http://www.avantgardemusic.com/</a></span></div>
Anonymoushttp://www.blogger.com/profile/17530029150740222799noreply@blogger.com0tag:blogger.com,1999:blog-5772956328796815244.post-55105436023577530622012-10-19T20:08:00.000+01:002012-10-19T20:08:13.479+01:00My Dying Bride - A Map Of All Our Failures<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgq42MQxw0xfT2pjBOAS5lyiKOABXMBC_CbYOLdLAI_j2zLIzQF4Nui0Hg4aBVJYDLYswlAiLbLM6nzLiW2AK9O_XrV1FpIZN0iuE1b4uMfFG8skaeYwf9qTMUH7B0-jDjYc0rNd14xgro/s1600/mdb2012.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgq42MQxw0xfT2pjBOAS5lyiKOABXMBC_CbYOLdLAI_j2zLIzQF4Nui0Hg4aBVJYDLYswlAiLbLM6nzLiW2AK9O_XrV1FpIZN0iuE1b4uMfFG8skaeYwf9qTMUH7B0-jDjYc0rNd14xgro/s200/mdb2012.jpg" width="200" /></a></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">Eles estão de regresso! Pois, esta exclamação pode ter algumas interpretações e vamos deixá-las para os que tomarem contacto com estas linhas.</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">Vinte anos volvidos sobre a edição de 'As the Flowers Withers', o colectivo de Halifax continua a mostrar a sua propensão para escrever bons temas, alguns mesmo que correm o risco de se tornarem incontornáveis nos concertos e nas colectâneas num pós-morte da noiva. Bons temas, sim; e neste registo a prova fica dada logo ao primeiro tema, 'Kneel Till Doomsday', onde toda a beleza e elegância musical abre-se, sem rodeios, ao mundo e a poética rubra de Stainthorpe expõe-se a nossos pés, começando a consumir-nos, lentamente, nessa aura que só mestres conseguem. Depois, é um escorrer de contos de belo horror, sofrimento e tristeza; de cenários cinzentos, luzes turvas e águas lentas, melancólicas. Sim, os My Dying Bride são isso tudo e não têm rival. Todos os ingredientes estão lá: as guitarras lancinantes, sofridas, que se entrelaçam nas palavras; o violino e os teclados que conferem "aquele" ambiente e fazem de 'Like A Perpetual Funeral' e 'Within The Presence Of Absence' algo de maior.</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">Mas será este um bom álbum? Não há maus álbuns na carreira dos My Dying Bride, se quisermos ser "politicamente correctos". 'A Map Of All Our Failures' recupera algum do espírito de 'Songs Of Darkness, Words Of Light', mas já não se sente a irreverência da primeira mão-cheia de discos. Neste momento, parecem jogar pelo seguro, arriscam até onde querem, têm a noção do seu enorme passado e avançam não tanto pelas águas turvas e agitadas sobrevoadas por corvos, como, se calhar, gostaríamos. No entanto, ainda bem que 'A Map...' nos chega às mãos. É sinal que a noiva ainda se digladia, angustiada. Outros houve, em correntes menos tempestuosas, que já pereceram. (14.2/20)</span></div>
<br />
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">Tracklist:</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">01. Kneel Till Doomsday</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">02. The Poorest Waltz</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">03. A Tapestry Scorned</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">04. Like A Perpetual Funeral</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">05. A Map Of All Our Failures</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">06. Hail Odysseus</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">07. Within The Presence Of Absence</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">08. Abandoned As Christ</span></div>
<br />
<iframe allowfullscreen="allowfullscreen" frameborder="0" height="315" src="http://www.youtube.com/embed/G86dppRBtxs" width="420"></iframe><br />
<br />
<span style="font-family: Arial,Helvetica,sans-serif;">Link: <a href="http://www.mydyingbride.net/">http://www.mydyingbride.net/</a></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"> <a href="http://www.peaceville.com/mydyingbride/amapofallourfailures">http://www.peaceville.com/mydyingbride/amapofallourfailures</a></span>Anonymoushttp://www.blogger.com/profile/17530029150740222799noreply@blogger.com0tag:blogger.com,1999:blog-5772956328796815244.post-33853417426133088442012-10-13T15:05:00.000+01:002012-10-13T15:05:14.256+01:00Narrow House - A Key To Panngrieb<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwAWhHcjb_Lq-wl_nuqqcthwCkX_dTr5vjjGM25YvQvzZAiYTrKYJcvGqytQXudWkN072Nv5t7i2S3N_d2GpZ-WPrg8eLwv7s7dyLVK7dZCBVFP5qZqLwnlsknH5OCdo1CwrtrGe_D4U0/s1600/narrow2012.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="196" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwAWhHcjb_Lq-wl_nuqqcthwCkX_dTr5vjjGM25YvQvzZAiYTrKYJcvGqytQXudWkN072Nv5t7i2S3N_d2GpZ-WPrg8eLwv7s7dyLVK7dZCBVFP5qZqLwnlsknH5OCdo1CwrtrGe_D4U0/s200/narrow2012.jpg" width="200" /></a></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">Das cinzas dos obscuros Funestum chegam à luz do dia estes Narrow House e o seu opus de estreia 'A Key To Panngrieb', com o carimbo da Solitude Productions. Quem tomou contacto com a primeira encarnação desta banda ucraniana, poderá ficar já com uma ideia do território onde estes novos temas se movimentam, embora aqui imbuídos de ambientes mais atmosféricos, bem na linha dos Comatose Vigil ou dos Abstract Spirit, por exemplo. E a páginas tantas, parece que estamos a ouvir essas bandas, dada a fórmula empregue - bem sabemos que é bastante complicado ser inovador e original neste estilo musical -, mas as comparações acabam por serem quase inevitáveis.</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">Ao longo destes 45 minutos de degredo funéreo, a «escola russa», chamemos-lhe assim, apresenta-se em boa forma; quatro temas tocados de forma muito competente, bem estruturados, com um bom equilíbrio entre as teclas e as guitarras e uma voz bem gutural que, esparsamente, alterna com um tom límpido e a pender um pouco para o tortuoso.</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">A tudo isto, é necessário acrescentar que, apesar deste registo ver somente agora a sua edição, todo ele foi gravado em 2010, com elementos que actualmente já não fazem parte da banda, o que nos fará antever alguma mudança sonora em próximos trabalhos.</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">Sem ser um álbum transcendental, 'A Key To Panngrieb' acaba por ser de agradável audição, sem grande originalidade, mas bastante sólido; pontos que abonam em seu favor, embora esteja sempre presente a ideia que já ouvimos algo muito parecido anteriormente. (12.2/20)</span></div>
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<br />
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">Tracklist:</span></div>
<table cellpadding="0" cellspacing="0" class="display table_lyrics" style="margin-left: 0px; margin-right: 0px; text-align: left;"><tbody>
<tr class="even"><td width="20"><span style="font-family: Arial,Helvetica,sans-serif;">01.</span></td><td><span style="font-family: Arial,Helvetica,sans-serif;">
Последнее Пристанище </span></td></tr>
<tr class="odd"><td width="20"><span style="font-family: Arial,Helvetica,sans-serif;"><a class="anchor" href="http://www.blogger.com/blogger.g?blogID=5772956328796815244" name="2432236"> </a>02.</span></td><td><span style="font-family: Arial,Helvetica,sans-serif;">
Псевдорятунок </span></td></tr>
<tr class="even"><td width="20"><span style="font-family: Arial,Helvetica,sans-serif;"><a class="anchor" href="http://www.blogger.com/blogger.g?blogID=5772956328796815244" name="2432237"> </a>03.</span></td><td><span style="font-family: Arial,Helvetica,sans-serif;">
Стеклянный Бог </span></td></tr>
<tr class="odd"><td width="20"><span style="font-family: Arial,Helvetica,sans-serif;"><a class="anchor" href="http://www.blogger.com/blogger.g?blogID=5772956328796815244" name="2432238"> </a>04.</span></td><td><span style="font-family: Arial,Helvetica,sans-serif;">
Под Маской Этой </span></td></tr>
</tbody></table>
<br />
<iframe allowtransparency="true" frameborder="0" height="100" src="http://bandcamp.com/EmbeddedPlayer/v=2/album=1805561706/size=venti/bgcol=FFFFFF/linkcol=4285BB/" style="display: block; height: 100px; position: relative; width: 400px;" width="400"><a href="http://narrowhouse.bandcamp.com/album/a-key-to-panngrieb">A Key To Panngrieb by Narrow House</a></iframe><br />
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<span style="font-family: Arial,Helvetica,sans-serif;">Link: <a href="http://narrowhouse.bandcamp.com/album/a-key-to-panngrieb">http://narrowhouse.bandcamp.com/album/a-key-to-panngrieb</a></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"> <a href="http://solitude-prod.com/">http://solitude-prod.com/</a></span></div>
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Anonymoushttp://www.blogger.com/profile/17530029150740222799noreply@blogger.com2tag:blogger.com,1999:blog-5772956328796815244.post-34419083310529835072012-10-07T18:38:00.000+01:002012-10-07T18:38:33.652+01:00Islands - Islands<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNkg1zgaquIkrf3fFx3F8hD3Zwl1nt1mONbnucFoT2Qd9lrvGg5-iXD99ANpm0GMMxy5qvVBbKCr1asFdR9s2qCfwAA7nsvbQZbl03nTbH3j9QyAaK1zBs591cD-PBSA65ARrzhq1HQ5M/s1600/islands2012.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNkg1zgaquIkrf3fFx3F8hD3Zwl1nt1mONbnucFoT2Qd9lrvGg5-iXD99ANpm0GMMxy5qvVBbKCr1asFdR9s2qCfwAA7nsvbQZbl03nTbH3j9QyAaK1zBs591cD-PBSA65ARrzhq1HQ5M/s200/islands2012.jpg" width="200" /></a></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"> Da Austrália chegam-nos os Islands, um recente projecto que anda em torno do post-metal, tomando como principais referências neste trabalho de estreia os Isis e os Cult Of Luna. Sem serem originais ou demasiado ambiciosos, empregam nestes cinco temas os cânones que ditaram a construção desta sonoridade e o resultado final acaba por ser até bastante razoável, com bons momentos, destacando-se 'Clouds Mistaken For Smoke', a súmula destes quse 50 minutos de música. A descobrir, para os fãs do género e todos os outros que gostem de uma investidazinha neste território.</span><br />
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<span style="font-family: Arial,Helvetica,sans-serif;">Tracklist: </span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">01. Golden Path</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">02. Hand Built View</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">03. Clouds Mistaken For Smoke</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">04. March</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">05. <span style="font-family: Arial,Helvetica,sans-serif;">I, Destroyer</span></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><iframe allowtransparency="true" frameborder="0" height="100" src="http://bandcamp.com/EmbeddedPlayer/v=2/album=198260139/size=venti/bgcol=FFFFFF/linkcol=4285BB/" style="display: block; height: 100px; position: relative; width: 400px;" width="400"><a href="http://islandsaus.bandcamp.com/album/islands">ISLANDS by Islands</a></iframe></span><br /><span style="font-family: Arial,Helvetica,sans-serif;"><br /></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">Link: <a href="http://islandsaus.bandcamp.com/">http://islandsaus.bandcamp.com/</a></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"> <a href="http://www.facebook.com/pages/Islands/199118153464755">http://www.facebook.com/pages/Islands/199118153464755</a></span></div>
Anonymoushttp://www.blogger.com/profile/17530029150740222799noreply@blogger.com0tag:blogger.com,1999:blog-5772956328796815244.post-32352648101296567532012-10-02T11:34:00.001+01:002012-10-02T11:34:40.954+01:00Painted Black - You Tube Channel<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjl6ITMc_dNKq5s8sZjxyD_ZiEoIr7xNxbjI3aO0VKgRsbqfISf_TraaFob2t497ImWgF78zabN97itI3eMyJCSP58mpmMmkKwg-H7mp0PgKZbhw1Duiufb_MbCwzHPT5JsJibchp_zOw/s1600/pblogo.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjl6ITMc_dNKq5s8sZjxyD_ZiEoIr7xNxbjI3aO0VKgRsbqfISf_TraaFob2t497ImWgF78zabN97itI3eMyJCSP58mpmMmkKwg-H7mp0PgKZbhw1Duiufb_MbCwzHPT5JsJibchp_zOw/s1600/pblogo.jpg" /></a></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">Após o lançamento do seu álbum de estreia, 'Cold Comfort', uma das melhores propostas do panorama Nacional em 2010, e sequente divulgação e ampla promoção do mesmo por terras lusas, os Painted Black encontram-se, neste momento, numa fase de menor exposição, concentrando-se naquele que será o seu segundo registo, ainda sem nome ou data de lançamento definido.</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">No entanto, a banda continua a mostrar sinais de actividade e acaba de lançar o seu próprio canal no You Tube, o Painted Black Video Blog - <a href="http://youtu.be/yfQwkNIL2Go"><span style="font-size: small;">http://youtu.be/yfQwkNIL2Go</span></a></span><span style="font-family: Arial,Helvetica,sans-serif;"> -, onde é possível estar a par de notícias e outros desenvolvimentos relacionados com a banda, bem como deixar mensagens ou simples comentários sobre os vídeos colocados. </span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">Link: <a href="http://www.painted-black.org/">http://www.painted-black.org/</a></span></div>
Anonymoushttp://www.blogger.com/profile/17530029150740222799noreply@blogger.com0tag:blogger.com,1999:blog-5772956328796815244.post-74126620783812502392012-09-11T11:56:00.001+01:002012-09-11T11:56:51.707+01:00Huata - Atavist Of Mann<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXzqWzyamziDwgWcpJyXy5khwHcO53wwaOtbW68oshs3juT5YXqpjbRsMaLu_okwYZv7GpOIsZq-5BXUqSTqfGujA4Pa7aXXfzP8rG8tDOyBOwm0uow0MezgNaiQECMly7tPMGdGvs1e4/s1600/huata2012.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXzqWzyamziDwgWcpJyXy5khwHcO53wwaOtbW68oshs3juT5YXqpjbRsMaLu_okwYZv7GpOIsZq-5BXUqSTqfGujA4Pa7aXXfzP8rG8tDOyBOwm0uow0MezgNaiQECMly7tPMGdGvs1e4/s200/huata2012.jpg" width="200" /></a></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">Já não é novidade nenhuma que, a nível musical, as composições de hoje olham muito para o passado; o <i>retro</i> está na moda, de facto. E, portanto, não é de estranhar que comecem a pulular por esse mundo fora dezenas de projectos que vão beber às décadas de 60 e 70, prestando culto ao psicadelismo e ao legado sabbathiano, que depois se misturam com influências mais recentes (leia-se, desde já, uma adoração pelos Electric Wizard).</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">Pois, estes franceses Huata encaixam bem no cenário atrás descrito, revelando um álbum de estreia carregadinho de peso, fumo e arestas vivas, agrestes, esperando por seguidores e ouvintes que se deixam enfeitiçar como se estivessem no meio de um ritual de adoração a forças diabólicas, em que a segunda metade de 'Thee Imperial Wizard' e 'Testi sum Capri' serão a banda-sonora perfeita para essa celebração.</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">Este, não será um álbum difícil para quem está familiarizado com as ondas do stoner/doom, encontrando por aqui mais um belo motivo de regozijo para mostrar que ainda se produzem algumas coisas boas e que a fonte Electric Wizard continua a povoar as lides musicais de muito boa gente; embora nos caso dos Huata não estejamos perante uma cópia chapada de um 'Witchcult Today', por exemplo, dada a vontade de criar algo com um cunho próprio sem colocar em cheque a sua identidade.</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">Assim, 'Atavist of Mann' acaba por ser um trabalho que, não trazendo surpresas também está longe de ser uma desilusão ou um longo <i>déjà vu</i>, sendo capaz de proporcionar um bom bocado e mostrar uma banda sabedora do caminho que quer fazer. (13.9/20)</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><br /></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">Tracklist:</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><br /></span></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">01. Lords of the Flame</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">02. Operation Mistletoe</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">03. Thee Imperial Wizard</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">04. Testi sum Capri </span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">05. Templars of the Black Sun</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">06. Fall of the 4th</span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><iframe allowfullscreen="allowfullscreen" frameborder="0" height="315" src="http://www.youtube.com/embed/3rnlBY8r-5c" width="420"></iframe></span><br /></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">Link: <a href="http://huata.bandcamp.com/">http://huata.bandcamp.com/</a></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"> <a href="http://huata-coven.blogspot.pt/">http://huata-coven.blogspot.pt/</a></span></div>
Anonymoushttp://www.blogger.com/profile/17530029150740222799noreply@blogger.com0tag:blogger.com,1999:blog-5772956328796815244.post-10723474494631929622012-09-08T12:31:00.000+01:002012-09-08T12:31:19.713+01:00Obsidian Sea - Between Two Deserts<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWvMb-Q_bvPD25kVRaNhu4QLDH3ZWO0c9qm7agJgckAERXl-kz7XoExmbGey6TcK9D52v_WIp1uddSxbxdaSnhPrq-JoPllR3ghlJFDA0Ir7AFor43m0-UHG8yK2lQGgjC3dmOboik0wY/s1600/obsea2012.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWvMb-Q_bvPD25kVRaNhu4QLDH3ZWO0c9qm7agJgckAERXl-kz7XoExmbGey6TcK9D52v_WIp1uddSxbxdaSnhPrq-JoPllR3ghlJFDA0Ir7AFor43m0-UHG8yK2lQGgjC3dmOboik0wY/s200/obsea2012.jpg" width="200" /></a></div>
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Se a memória não nos atraiçoa, da Bulgária nunca brotou nenhum projecto de nomeada, daqueles que marcam a história do Metal e arrastam milhares de fiéis, apesar de estar a meio caminho entre a Alemanha e a Grécia, dois países com fortes raízes e bandas neste panorama.</div>
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De facto, ao longo desta última década, com toda a crescente quantidade, visibilidade e actividade que a cena do leste europeu proporcionou - e continua a jorrar como uma infindável torrente de lava -, ainda era possível notar a existência de algumas lacunas, alguns países que não estavam a acompanhar este <i>boom</i>, chamemos-lhe assim.</div>
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Não sabemos se estes Obsidian Sea almejam algo do género, ou se buscam feitos mais modestos, mas o facto de terem o seu primeiro longa-duração com o selo e distribuição da Solitude Productions certamente ajudará a que a sua música chegue a um mais alargado leque de ouvintes.</div>
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E o que nos traz este duo de Sofia? Pois bem, um conjunto de nove temas de doom na sua linha mais tradicional, com uns toques de epic (já estão a ver: Candlemass, Reverend Bizarre, Saint Vitus ou Solitude Aeturnus, por exemplo) que, apesar de não serem arrebatadores ou conseguirem ombrear com outros lançamentos do género, mostram um conjunto de ideias bem definidas aplicadas a composições coesas, sóbrias e estruturadas, ficando somente um pequeno travo a amargo pelo facto de não terem arriscado um pouco mais, dado mais algum dinamismo a alguns temas, acabando o todo por se tornar um tanto ou quanto previsível e a roçar o monótono; as excepções vão mesmo para 'Impure Days', onde foi «colado» um andamento mais rápido que até parece ligeiramente desajustado, por incrível que pareça relativamente ao que referimos acima, e o final de 'Beneath' num <i>quasi</i> mid-tempo. Por sua vez, é em 'The Seraph' e 'Curse of the Watcher' que podemos encontrar os <i>riffs</i> mais conseguidos destes 55 minutos.<br />
Um dos pontos que também não ajuda este registo é a produção, um tanto ou quanto limitada, não deixando os temas respirarem e terem uma outra dimensão, que lhes poderia granjear mais alguns louros.<br />
No entanto, a ideia a reter é a que estamos perante boas ideias e potencial sonoro. Basta que haja alguma maturação e "aquele" toque de inspiração que faça os Obsidian Sea erguerem-se a um patamar mais elevado. (12/20) </div>
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Tracklist:</div>
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<div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;">
01. At The Temple Doors</div>
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02. Mountain Womb</div>
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03. The Seraph</div>
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04. Impure Days</div>
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05. Curse Of The Watcher</div>
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06. Absence Of Faith</div>
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07. Second Birth</div>
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08. Beneath</div>
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<span style="font-family: Arial,Helvetica,sans-serif;">09. Flaming Sword</span></div>
<br />
<iframe allowtransparency="true" frameborder="0" height="100" src="http://bandcamp.com/EmbeddedPlayer/v=2/track=477919335/size=venti/bgcol=FFFFFF/linkcol=4285BB/" style="display: block; height: 100px; position: relative; width: 400px;" width="400"><a href="http://obsidian-sea.bandcamp.com/track/at-the-temple-doors">At the Temple Doors by Obsidian Sea</a></iframe><br />
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<div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;">
Link: <a href="http://obsidian-sea.bandcamp.com/">http://obsidian-sea.bandcamp.com/</a></div>
<div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;">
<a href="http://www.myspace.com/obsidianseaband">http://www.myspace.com/obsidianseaband</a></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;"> <a href="http://solitude-prod.com/">http://solitude-prod.com/</a></span></div>
Anonymoushttp://www.blogger.com/profile/17530029150740222799noreply@blogger.com0tag:blogger.com,1999:blog-5772956328796815244.post-37235861194130091192012-08-29T21:54:00.000+01:002012-08-29T21:54:32.793+01:00Katabatic - Heavy Water<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCqYvdGwBmj2SCihRq5fHuK1vEDsV0sYGIa2KiHkEiLBFs1IccSs_WAo1AnT33v5UIDqKeaHO0oZTEjd1dVjVbQ6rkwa-aPyHjgl6eL3EPVkLPBhaLYjEEh-qyE_a0vI3gJ2gwMmg-J1E/s1600/Katabatic-Heavy-Water.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCqYvdGwBmj2SCihRq5fHuK1vEDsV0sYGIa2KiHkEiLBFs1IccSs_WAo1AnT33v5UIDqKeaHO0oZTEjd1dVjVbQ6rkwa-aPyHjgl6eL3EPVkLPBhaLYjEEh-qyE_a0vI3gJ2gwMmg-J1E/s200/Katabatic-Heavy-Water.jpg" width="200" /></a></div>
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<br />
<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: "Arial","sans-serif";">Quem
dá de caras - ou de ouvidos - com o primeiro álbum dos portugueses Katabatic,
nem se apercebe que a banda votou-se ao silêncio nestes últimos anos, após o
lançamento do EP 'Vago', dada a entrada em <i>media-res</i>
com 'Wonder-Room', um tema pujante, com uma grande cadência rítmica e apostado
em segurar o ouvinte durante os 45 minutos seguintes, administrando-lhe uma
bela dose de post-rock, bem na veia de uns Explosions In The Sky que se
encontram no mesmo estúdio com os Mono e os Isis e decidem fazer umas <i>jams</i>.</span></span></div>
<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: "Arial","sans-serif";">Pois
bem, o quarteto lisboeta explora todas estas vertentes e mescla-as de forma bem
interessante e dá-lhe um cunho pessoal, que pode bem vir a ser o ponto
diferenciador no futuro entre os seus trabalhos e os de variadíssimas bandas
medianas que pululam por esse mundo fora.</span></span></div>
<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: "Arial","sans-serif";">O
nível do álbum mantém-se bastante constante, interessante, sem temas que ganhem
muito destaque e sem <i>fillers</i>, dando a
impressão de existir uma inter-ligação, um fio condutor comum a todos os temas,
o que acaba por ser uma característica dos registos deste tipo.</span></span></div>
<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: "Arial","sans-serif";">'Heavy
Water' aposta um pouco mais em temas fortes, com guitarras mais 'à frente',
apoiadas numa secção rítmica segura e que responde à exigência destas composições.
Estes momentos são contrabalançados por passagens mais calmas, onde pontificam
as guitarras limpas, capazes de nos transportar em pequenas viagens através das
suas notas delicadas, de crescendos, de alguns efeitos que aqui e ali polvilham
esta trama; e nela nos deixamos enredar até que 'Abandónica' chega ao fim e nos
pousa no chão ao mesmo tempo que nos convida para a «urgência» de
'Wonder-Room'.</span></span></div>
<span style="font-size: small;"><span style="font-family: "Arial","sans-serif"; line-height: 115%;">Válido, muito válido e
para degustar durante longo tempo. (14.8/20)</span></span><br />
<div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;">
<br /></div>
<div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;">
Tracklist:</div>
<div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;">
<br /></div>
<div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;">
01. Wonder-Room</div>
<div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;">
02. Light Hexagons</div>
<div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;">
03. Morsa</div>
<div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;">
04. Anova</div>
<div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;">
05. Heavy Water</div>
<div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;">
06. Girlaxia</div>
<div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;">
07. Abandónica</div>
<br />
<iframe allowfullscreen="allowfullscreen" frameborder="0" height="315" src="http://www.youtube.com/embed/CkOPZy7A_4M" width="560"></iframe><br />
<br />
<br />
<div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;">
Link: <a href="http://www.facebook.com/katabaticband">http://www.facebook.com/katabaticband</a></div>
<div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;">
<a href="http://www.ktbtc.com/">http://www.ktbtc.com/</a></div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;"> <a href="http://www.ragingplanet.pt/">http://www.ragingplanet.pt</a></span></div>
<br />
<br />Anonymoushttp://www.blogger.com/profile/17530029150740222799noreply@blogger.com0tag:blogger.com,1999:blog-5772956328796815244.post-57261446745924865842012-08-29T15:58:00.000+01:002012-08-29T15:58:29.644+01:00Evoken - Atra Mors<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYYCFpG4ZmAmY3XaVf40HU68J_46UilTKXbFzt2ssTcy05qNr1qeh9Uel01De0LWAZmuFWTOqdDQnuJ3RJvdmNW1asF9zNLubKj0ssvIXwMeED6AZeIkvW3b5hyphenhyphen6Us-PCIeAZUPTR9Kio/s1600/evoken2012.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYYCFpG4ZmAmY3XaVf40HU68J_46UilTKXbFzt2ssTcy05qNr1qeh9Uel01De0LWAZmuFWTOqdDQnuJ3RJvdmNW1asF9zNLubKj0ssvIXwMeED6AZeIkvW3b5hyphenhyphen6Us-PCIeAZUPTR9Kio/s200/evoken2012.jpg" width="200" /></a></div>
<div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;">
Longa se tornava a espera. Longa, no sentido temporal. Longa, na expectativa do passo seguinte a 'A Caress Of The Void'. Longa, pela ausência de um dos pilares do movimento funeral doom.</div>
<div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;">
A espera chegou ao fim. Resultado: oito temas. Oito temas? Não. Oito momentos nos deixam de queixo caído logo à primeira audição, mostrando uns Evoken de volta à excelente forma - a enorme qualidade dos seus álbuns nunca se discutiu, embora 'A Caress Of The Void' não tenha conseguido na plenitude o fulgor de 'Quietus' ou 'Antithesis Of Light' -, levando-nos, desde já, a admitir que este quinto longa-duração entrará directamente para o grupo de clássicos da banda e de todo o movimento musical no qual se inserem. Para que as dúvidas se dissipem - ou certezas se confirmem -, escutem 'Grim Eloquence' e, a fechar, 'Into Aphotic Devastation' e poderão verificar que a coesão, qualidade de composição e sentido de melodia continuam imaculadas, sem perder uma ponta da agrura e aspereza presente em registos anteriores, sem comprometer um milímetro que seja a identidade do quinteto de Nova Jérsia. E não ficam por terrenos conhecidos; nunca foi esse o seu apanágio. Aqui, regista-se mais um passo em frente, com as teclas a ganharem mais força, contribuindo em grande parte para aquele ambiente melancólico e, ao mesmo tempo, extremamente depressivo e pútrido que a banda tão bem consegue concretizar. Os temas continuam a encaixar muito bem com a voz de John Paradizo, nos seus diferentes registos, que mais uma vez faz-se acompanhar por um punhado de textos bem negros, onde a vida rasteja no mais vil caminho lamacento.</div>
<div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;">
Em suma, quem já sabe 'do que a casa gasta', ficará muito feliz com Atra Mors e para quem este é o primeiro contacto com os Evoken acreditamos que andará azoado das ideias bastante tempo. Por aqui, um dos lugares do pódio já deve estar atribuído.</div>
<div style="text-align: justify;">
<span style="font-family: Arial,Helvetica,sans-serif;">Ah!..., e a Profound Lore não poderia ter melhor álbum para comemorar o seu 100º lançamento. (18.4/20)</span></div>
<br />
<br />
<div style="font-family: Arial,Helvetica,sans-serif;">
Tracklist:</div>
<div style="font-family: Arial,Helvetica,sans-serif;">
<br /></div>
<div style="font-family: Arial,Helvetica,sans-serif;">
01. Atra Mors</div>
<div style="font-family: Arial,Helvetica,sans-serif;">
02. Descent Into Chaotic Dream</div>
<div style="font-family: Arial,Helvetica,sans-serif;">
03. A Tenebrous Vision</div>
<div style="font-family: Arial,Helvetica,sans-serif;">
04. Grim Eloquence</div>
<div style="font-family: Arial,Helvetica,sans-serif;">
05. An Extrinsic Divide</div>
<div style="font-family: Arial,Helvetica,sans-serif;">
06. Requies Aeterna</div>
<div style="font-family: Arial,Helvetica,sans-serif;">
07. The Unechoing Dread</div>
<span style="font-family: Arial,Helvetica,sans-serif;">08. Into Aphotic Devastation</span><br />
<br />
<br />
<iframe allowfullscreen="allowfullscreen" frameborder="0" height="315" src="http://www.youtube.com/embed/pPWFdreWCK4" width="560"></iframe><br />
<br />
<br />
<br />
<span style="font-family: Arial,Helvetica,sans-serif;">Link: <a href="http://www.facebook.com/pages/Evoken-Official/91505789372?ref=ts">http://www.facebook.com/pages/Evoken-Official/91505789372?ref=ts</a></span>Anonymoushttp://www.blogger.com/profile/17530029150740222799noreply@blogger.com0tag:blogger.com,1999:blog-5772956328796815244.post-45690556080294017852012-08-29T11:24:00.001+01:002012-08-29T11:25:56.651+01:00Fatum Elisum - Homo Nihilis (2011)<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfcpSerhAe-OeFo4WNuLh4XACl1q1_XUs7JV2yFysG9L6pV92n_0XyA3dg1TtgmwKt09nhYrnrAPbzbPh1VRfGLeSQeZabEY8XWRNHINW287jXsB5LoNvDBshDsqrL4MVvJoNMZmo36as/s1600/fatumelisum2011.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfcpSerhAe-OeFo4WNuLh4XACl1q1_XUs7JV2yFysG9L6pV92n_0XyA3dg1TtgmwKt09nhYrnrAPbzbPh1VRfGLeSQeZabEY8XWRNHINW287jXsB5LoNvDBshDsqrL4MVvJoNMZmo36as/s200/fatumelisum2011.jpg" width="200" /></a></div>
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<br />
<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: "Arial","sans-serif";">Dois anos após a
promissora demo que mostrou os Fatum Elisum ao mundo, eis que a banda de Rouen lança
o seu primeiro disco, através da britânica Aesthetic Death.</span></span></div>
<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: "Arial","sans-serif";">Ao longo destes 5
temas, ou melhor um intro e quatro longos temas, o que ressalta à primeira
vista é a inclusão de algumas mudanças do ponto de vista musical, fugindo da
toada funérea, extremamente densa e claustrofóbica, com Ende a deixar a sua
marca, num registo a roçar o desespero. Neste trabalho, as vocalizações são um
pouco mais diversas, mas sobressaem os registos limpos, quase declamatórios, removendo
para segundo plano essa agonizante libertação de palavras e urros selváticos,
esparsamente presentes em ‘The Twilight Prophet’, por exemplo.</span></span></div>
<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: "Arial","sans-serif";">Em ‘Homo Nihilis’,
apesar do ambiente não se encontrar menos desanuviado, a abordagem dos temas
vira-se para uma toada mais doom/death, bastante cadenciada, marcada por linhas
de guitarra simples e um ritmo forte de bateria, servindo de base para as
longas declamações de Ende, entre o inglês e o francês, com esporádicas
passagens pelo latim e grego, que nas vocalizações limpas conta com os
préstimos de Asgeirr, que também acumula funções no baixo. No meio destas
alterações, no nevoeiro dos temas, afloram reminiscências de Paradise Lost e My
Dying Bride, principalmente ao nível da voz, e dos Reverend Bizarre na vertente
sonora, sem esquecer os Evoken ou os Mourning Beloveth (nos seus trabalhos mais
recentes).</span></span></div>
<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: "Arial","sans-serif";">Com excepção de
'Pulvis Et Umbra Sumus', uma curta introdução de um minuto, muito similar à
presente na demo de estreia 'Fatum Elisum', todos os temas andam acima dos quinze
minutos de duração, mas a simplicidade empregue nas composições mantêm estes
exercícios interessantes do princípio ao fim, muito por culpa de um trabalho
mais apurado entre guitarras acústicas e eléctricas, atingindo em alguns
momentos algo de épico.</span></span></div>
<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: "Arial","sans-serif"; line-height: 115%;">A
produção é simples mas eficaz, dando coesão a um disco que, perante um trabalho
menor, seria de muito mais difícil audição e qualquer receio inicial sobre o
representante desaparece dentro de alguns minutos da primeira pista. 'Homo
Nihilis' é um trabalho competente e consegue ter momentos pungentes, mas ainda
falta algo que demonstre que o investimento total aqui mereceu inteiramente o
seu resultado. </span><span lang="EN-US" style="font-family: "Arial","sans-serif"; line-height: 115%;">(14.2/20)</span></span></div>
<br />
<br />
<div style="font-family: Arial,Helvetica,sans-serif;">
English:</div>
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<br />
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: small;"><span lang="EN-GB" style="font-family: "Arial","sans-serif";">Two
years after their promising demo that showed Fatum Elisum to the world, behold
the band of Rouen releases his first album by Aesthetic Death, a British label.</span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: small;"><span lang="EN-GB" style="font-family: "Arial","sans-serif";">Throughout
these five tracks, or rather an intro and four themes, which highlights at
first glance is the inclusion of some changes in terms of musical, fleeing the
funereal tune, extremely dense and claustrophobic, with Ende to make his mark
in a register to skim despair. In this work, the vocals are a bit more diverse,
but excel records clean, almost declamatory, doing almost forget this agonizing
release of words and savage yells, sparsely present in 'The Twilight Prophet',
for example.</span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: small;"><span lang="EN-GB" style="font-family: "Arial","sans-serif";">In
Homo Nihilis', although the ambient is not less unclouded, dealing with the topic
turns to a tune more doom/death, very rhythmic, marked by simple guitar lines
and a strong rhythm of drums, providing the basis for the long declamations of Ende,
between English and French and occasional passages in Latin and Greek, which
features clean vocals on the services of Asgeirr, which also accumulates the
bass functions. In the centre of these changes, in the fog of topics, flourish
reminiscent of Paradise Lost and My Dying Bride, mainly in terms of voice, and
the sound looks like Reverend Bizarre in part, without forgetting Evoken or
Mourning Beloveth (in their more recent work).</span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: small;"><span lang="EN-GB" style="font-family: "Arial","sans-serif";">With
the exception of 'Pulvis Umbra Et Sumus', a short introduction of a minute, very
similar to the demo debut 'Fatum Elisum', all songs walking up the fifteen
minutes long, but the simplicity employed in the compositions hold these
exercises interesting from beginning to end, by the fault of a much finer work
between acoustic and electric guitars, at times reaching something epic.</span></span></div>
<div style="text-align: justify;">
<span style="font-size: small;"><span lang="EN-GB" style="font-family: "Arial","sans-serif"; line-height: 115%;">The
production is simple but effective, giving cohesion to a disc, before a work of
lesser quality would be much harder to be heard and any initial fear about the
representative disappears within a few minutes of the first track. Homo
Nihilis' is a competent job and manages to have emotional moments, but still
lack something that shows that total investment here fully deserved their
result. </span><span lang="EN-US" style="font-family: "Arial","sans-serif"; line-height: 115%;">(14.2/20)</span></span></div>
<br />
<br />
<div style="font-family: Arial,Helvetica,sans-serif;">
Tracklist:</div>
<div style="font-family: Arial,Helvetica,sans-serif;">
<br /></div>
<div style="font-family: Arial,Helvetica,sans-serif;">
01. Pulvis Et Umbra</div>
<div style="font-family: Arial,Helvetica,sans-serif;">
02. The Pursuit Of Sadness</div>
<div style="font-family: Arial,Helvetica,sans-serif;">
03. The Twilight Prophet</div>
<div style="font-family: Arial,Helvetica,sans-serif;">
04. Homo Nihilis</div>
<div style="font-family: Arial,Helvetica,sans-serif;">
05. East Of Eden</div>
<br />
<iframe allowfullscreen="allowfullscreen" frameborder="0" height="315" src="http://www.youtube.com/embed/mAbfsETvPOg" width="420"></iframe> <br />
<br />
<div style="font-family: Arial,Helvetica,sans-serif;">
Link: <a href="http://www.facebook.com/pages/Fatum-Elisum/150291801656020">http://www.facebook.com/pages/Fatum-Elisum/150291801656020</a></div>
<div style="font-family: Arial,Helvetica,sans-serif;">
<a href="http://www.aestheticdeath.com/">http://www.aestheticdeath.com/</a></div>
Anonymoushttp://www.blogger.com/profile/17530029150740222799noreply@blogger.com0tag:blogger.com,1999:blog-5772956328796815244.post-6881548655204401632012-08-29T10:13:00.001+01:002012-08-29T10:13:29.024+01:00Temple Of Doom Metal - III Anos de Degredoom<div class="separator" style="clear: both; text-align: center;">
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<div class="separator" style="clear: both; text-align: center;">
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<div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;">
Volvido mais um ano, cá estamos para assinalar esta nefasta data. Ao longo destes três anos muita coisa aconteceu, boa e menos positiva, crescemos, às vezes um pouco mais do que estávamos à espera, decidimos refrear um pouco esse mesmo crescimento e medir a ambição. Mas sempre nos esforçamos por tentar manter as coisas frescas, ou pouco podres - conforme os gostos - e, acima de tudo, tentar dar um pouco mais de visibilidade a este género musical com especial enfoque nos projectos nacionais emergentes e afirmados no panorama metálico.</div>
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<span style="font-family: Arial,Helvetica,sans-serif;">Perídos houve de letargia, torpor, indefinição e quase ausência, mas houve sempre algo que nos impeliu para continuar este longo rosário, dando sentido ao templo.</span></div>
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Por
isso mesmo, aqui estamos hoje, com renovados votos e esperanças, mas
acima de tudo para expressar que as portas do Temple Of Doom Metal
continuarão a estar abertas, porque este lento doom ainda tem muito para
vos oferecer. </div>
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E por que os últimos são sempre os primeiros, não poderíamos deixar este dia passar sem endereçarmos uma palavra a quem nos apoia, ajuda, lê, critica e ignora: muito obrigado por estarem aí! Este projecto ainda tem pernas
para andar e crescer.<br />
A todos os que têm participado, através das
variadíssimas formas na construção deste espaço e ao grupo que tem
sido a alma do templo ao longo destes três anos de actividade, o nosso sincero muito obrigado.</div>
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<br /></div>
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<span style="font-family: Arial,Helvetica,sans-serif;">Temple Of Doom Metal</span></div>
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<span style="font-size: xx-small;"><span style="font-family: Arial,Helvetica,sans-serif;">Arrasta-te, lúgubre; a desilusão invade-te</span>...</span></div>
Anonymoushttp://www.blogger.com/profile/17530029150740222799noreply@blogger.com0