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O mundo da música tem sido pródigo no que diz respeito a colaborações entre elementos de quadrantes díspares e, particularmente, o mundo do Metal também não é excepção. Desta feita, temos os eclécticos Boris que se juntaram a Ian Astbury, voz dos The Cult. É certo que esta "união" poderá deixar a cabeça de muita gente a andar à roda, principalmente sobre o que poderá sair desta colaboração, mas algum do sal do mundo da música não estará nisto mesmo? Para além de que os Boris já têm um farto conjunto de participações com outros projectos.
Pois bem, este EP contém quatro temas, que no total chegam à vintena de minutos, que nos mostram uns Boris iguais a si próprios, ou seja, camaleónicos do ponto de vista estilístico, evidenciando aqui uma costela mais Rock e com queda para a construção de canções onde a voz de Astbury se vai impondo no seu estilo e timbre muito próprio, sem comprometer em nada.
A versão de "Rain" aqui presente, vem com a marca da banda de Tóquio, mas sem criar nada de muito excitante ou de inovador, como não é seu apanágio. Obedece à estrutura do original, na generalidade, são acrescentados mais alguns solos, que parecem retirados de um contexto space-rock, e fica-se por isto.
De facto, "BXI" acaba por demonstrar as duas partes a irem ao encontro uma da outra, mas sem grandes pretensiosismos como alguns poderão pensar. É certo que as expectativas serão altas, para os fãs de Boris e de Astbury/The Cult, e certamente não sairão defraudadas, mas nota-se que falta por ali algo mais de modo a que o resultado final fosse de outra dimensão.
Para tornar este lançamento mais "curioso", registe-se que o artwork é da autoria de Stephen O'Malley, um dos maestros dos Sunn O))). (12/20)
English:
The world of the music has been wasteful concerning in collaborations between elements of dissimilar quadrants and, particularly, the world of Metal also is not an exception. This time, we have the eclectic Boris who joined the studio with Ian Astbury, voice of The Cult. Is it certain that this "union" will be able to leave the head of many people to walk to the wheel, first of all on what it will be able to go out from this collaboration, but some of the salt of the world of the music will not be in this itself? Besides, Boris has, already, a joint almond cake of participations with other projects.
So well, this EP contains four subjects, which in the total reach the twenty minutes, which show us Boris equals to themselves, in other words, chameleonic from the stylistic point of view, when rock is showing a rib up here more and for the construction of songs where the voice of Astbury is imposed in his style and very own insignia, without compromising in anything.
The version of "Rain" here present, comes with the mark of the band from Tokyo, but without creating anything exciting or innovator, since it is not their apanage. It obeys to the structure of the original, in the generality, there are some more solos, which seem taken of a context of space-rock, and one is for this.
In fact, “BXI " demonstrates again two parts to go and meet one of other one, without great illusions as anyone may think. It is certain that the expectations will be high, for the fans of Boris and of Astbury/The Cult, and certainly they will not go out embezzled, but it is noticed that something more is lacking around there in way what the final result digs of another dimension.
To make this release even more "curious", register that the artwork is of the authorship of Stephen O'Malley, one of the conductors of the Sunn O))). (12/20)
So well, this EP contains four subjects, which in the total reach the twenty minutes, which show us Boris equals to themselves, in other words, chameleonic from the stylistic point of view, when rock is showing a rib up here more and for the construction of songs where the voice of Astbury is imposed in his style and very own insignia, without compromising in anything.
The version of "Rain" here present, comes with the mark of the band from Tokyo, but without creating anything exciting or innovator, since it is not their apanage. It obeys to the structure of the original, in the generality, there are some more solos, which seem taken of a context of space-rock, and one is for this.
In fact, “BXI " demonstrates again two parts to go and meet one of other one, without great illusions as anyone may think. It is certain that the expectations will be high, for the fans of Boris and of Astbury/The Cult, and certainly they will not go out embezzled, but it is noticed that something more is lacking around there in way what the final result digs of another dimension.
To make this release even more "curious", register that the artwork is of the authorship of Stephen O'Malley, one of the conductors of the Sunn O))). (12/20)
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